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Register a new userUnsupervised Contrastive Learning of Sound Event Representations
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Eduardo Fonseca
Publication date
2020
fields
Informatics Engineering
and research's language is
English
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Self-supervised representation learning can mitigate the limitations in recognition tasks with few manually labeled data but abundant unlabeled data---a common scenario in sound event research. In this work, we explore unsupervised contrastive learning as a way to learn sound event representations. To this end, we propose to use the pretext task of contrasting differently augmented views of sound events. The views are computed primarily via mixing of training examples with unrelated backgrounds, followed by other data augmentations. We analyze the main components of our method via ablation experiments. We evaluate the learned representations using linear evaluation, and in two in-domain downstream sound event classification tasks, namely, using limited manually labeled data, and using noisy labeled data. Our results suggest that unsupervised contrastive pre-training can mitigate the impact of data scarcity and increase robustness against noisy labels, outperforming supervised baselines.
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Environmental Sound Classification (ESC) is a challenging field of research in non-speech audio processing. Most of current research in ESC focuses on designing deep models with special architectures tailored for specific audio datasets, which usually cannot exploit the intrinsic patterns in the data. However recent studies have surprisingly shown that transfer learning from models trained on ImageNet is a very effective technique in ESC. Herein, we propose SoundCLR, a supervised contrastive learning method for effective environment sound classification with state-of-the-art performance, which works by learning representations that disentangle the samples of each class from those of other classes. Our deep network models are trained by combining a contrastive loss that contributes to a better probability output by the classification layer with a cross-entropy loss on the output of the classifier layer to map the samples to their respective 1-hot encoded labels. Due to the comparatively small sizes of the available environmental sound datasets, we propose and exploit a transfer learning and strong data augmentation pipeline and apply the augmentations on both the sound signals and their log-mel spectrograms before inputting them to the model. Our experiments show that our masking based augmentation technique on the log-mel spectrograms can significantly improve the recognition performance. Our extensive benchmark experiments show that our hybrid deep network models trained with combined contrastive and cross-entropy loss achieved the state-of-the-art performance on three benchmark datasets ESC-10, ESC-50, and US8K with validation accuracies of 99.75%, 93.4%, and 86.49% respectively. The ensemble version of our models also outperforms other top ensemble methods. The code is available at https://github.com/alireza-nasiri/SoundCLR.
Recent advances suggest the advantage of multi-modal training in comparison with single-modal methods. In contrast to this view, in our work we find that similar gain can be obtained from training with different formats of a single modality. In particular, we investigate the use of the contrastive learning framework to learn audio representations by maximizing the agreement between the raw audio and its spectral representation. We find a significant gain using this multi-format strategy against the single-format counterparts. Moreover, on the downstream AudioSet and ESC-50 classification task, our audio-only approach achieves new state-of-the-art results with a mean average precision of 0.376 and an accuracy of 90.5%, respectively.
The weakly supervised sound event detection problem is the task of predicting the presence of sound events and their corresponding starting and ending points in a weakly labeled dataset. A weak dataset associates each training sample (a short recording) to one or more present sources. Networks that solely rely on convolutional and recurrent layers cannot directly relate multiple frames in a recording. Motivated by attention and graph neural networks, we introduce the concept of an affinity mixup to incorporate time-level similarities and make a connection between frames. This regularization technique mixes up features in different layers using an adaptive affinity matrix. Our proposed affinity mixup network improves over state-of-the-art techniques event-F1 scores by $8.2%$.
Sound event localization aims at estimating the positions of sound sources in the environment with respect to an acoustic receiver (e.g. a microphone array). Recent advances in this domain most prominently focused on utilizing deep recurrent neural networks. Inspired by the success of transformer architectures as a suitable alternative to classical recurrent neural networks, this paper introduces a novel transformer-based sound event localization framework, where temporal dependencies in the received multi-channel audio signals are captured via self-attention mechanisms. Additionally, the estimated sound event positions are represented as multivariate Gaussian variables, yielding an additional notion of uncertainty, which many previously proposed deep learning-based systems designed for this application do not provide. The framework is evaluated on three publicly available multi-source sound event localization datasets and compared against state-of-the-art methods in terms of localization error and event detection accuracy. It outperforms all competing systems on all datasets with statistical significant differences in performance.
We present a new framework SoundDet, which is an end-to-end trainable and light-weight framework, for polyphonic moving sound event detection and localization. Prior methods typically approach this problem by preprocessing raw waveform into time-frequency representations, which is more amenable to process with well-established image processing pipelines. Prior methods also detect in segment-wise manner, leading to incomplete and partial detections. SoundDet takes a novel approach and directly consumes the raw, multichannel waveform and treats the spatio-temporal sound event as a complete sound-object to be detected. Specifically, SoundDet consists of a backbone neural network and two parallel heads for temporal detection and spatial localization, respectively. Given the large sampling rate of raw waveform, the backbone network first learns a set of phase-sensitive and frequency-selective bank of filters to explicitly retain direction-of-arrival information, whilst being highly computationally and parametrically efficient than standard 1D/2D convolution. A dense sound event proposal map is then constructed to handle the challenges of predicting events with large varying temporal duration. Accompanying the dense proposal map are a temporal overlapness map and a motion smoothness map that measure a proposals confidence to be an event from temporal detection accuracy and movement consistency perspective. Involving the two maps guarantees SoundDet to be trained in a spatio-temporally unified manner. Experimental results on the public DCASE dataset show the advantage of SoundDet on both segment-based and our newly proposed event-based evaluation system.
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