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Register a new userExploring Urban Form Through Openstreetmap Data: A Visual Introduction
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Geoff Boeing
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This chapter introduces OpenStreetMap - a crowd-sourced, worldwide mapping project and geospatial data repository - to illustrate its usefulness in quickly and easily analyzing and visualizing planning and design outcomes in the built environment. It demonstrates the OSMnx toolkit for automatically downloading, modeling, analyzing, and visualizing spatial big data from OpenStreetMap. We explore patterns and configurations in street networks and buildings around the world computationally through visualization methods - including figure-ground diagrams and polar histograms - that help compress urban complexity into comprehensible artifacts that reflect the human experience of the built environment. Ubiquitous urban data and computation can open up new urban form analyses from both quantitative and qualitative perspectives.
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Understanding how people move in the urban area is important for solving urbanization issues, such as traffic management, urban planning, epidemic control, and communication network improvement. Leveraging recent availability of large amounts of diverse crowdsensed data, many studies have made contributions to this field in various aspects. They need proper review and summary. In this paper, therefore, we first review these recent studies with a proper taxonomy with corresponding examples. Then, based on the experience learnt from the studies, we provide a comprehensive tutorial for future research, which introduces and discusses popular crowdsensed data types, different human mobility subjects, and common data preprocessing and analysis methods. Special emphasis is made on the matching between data types and mobility subjects. Finally, we present two research projects as case studies to demonstrate the entire process of understanding urban human mobility through crowdsensed data in city-wide scale and building-wide scale respectively. Beyond demonstration purpose, the two case studies also make contributions to their category of certain crowdsensed data type and mobility subject.
Urban theorists, social reformists and philosophers have considered the city as a living organism since Plato. However, despite extraordinary advancements in evolutionary biology, now being used to explain social and cultural phenomena, a proper science of evolution in cities has never been established since Geddes work at the dawn of the Town Planning discipline. Commencing in the tradition of Urban Morphology, this research develops and validates a statistically reliable and universally applicable urban taxonomy. The research solidifies existing definitions of built form at the scale of the urban fabric and identifies the constituent elements of form in 40 contemporary UK cities. Quantifiable measurements of these elements allow mathematical descriptions of their organization and mutual relationships. Further, an optimized list of indices with maximum discriminatory potential distinguishes between cases from four historically characterised categories: 1) Historical, 2) Industrial, 3) New Towns, 4) Sprawl. Finally, a dendrogram is produced that shows the tree of similarity between cases, where the great divide between pre and post WWII war urban form is demonstrated. This work shows that: a) it is conceptually sound and viable to measure urban fabric utilizing public, big-data repositories, b) the proposed urban morphometrics system accurately characterises the structure of urban form and clusters cases properly based on their historical origins, c) scientific models of biological evolution can be applied to urban analysis to understand underlying structural similarities.
The relationship between nature contact and mental well-being has received increasing attention in recent years. While a body of evidence has accumulated demonstrating a positive relationship between time in nature and mental well-being, there have been few studies comparing this relationship in different locations over long periods of time. In this study, we estimate a happiness benefit, the difference in expressed happiness between in- and out-of-park tweets, for the 25 largest cities in the US by population. People write happier words during park visits when compared with non-park user tweets collected around the same time. While the words people write are happier in parks on average and in most cities, we find considerable variation across cities. Tweets are happier in parks at all times of the day, week, and year, not just during the weekend or summer vacation. Across all cities, we find that the happiness benefit is highest in parks larger than 100 acres. Overall, our study suggests the happiness benefit associated with park visitation is on par with US holidays such as Thanksgiving and New Years Day.
We propose hypotheses describing the empirical finding of an association between the exponents of urban GDP scaling and Zipfs law for cities. These hypotheses represent various combinations of directional or reciprocal causal links between the two phenomena and include inter- and intra-city processes. Future theories and models can be motivated with and categorized according to these hypotheses. This paper intends to stimulate the discussion around the processes behind these phenomena and pave the way to a Unified Urban Theory.
Art is the ultimate expression of human creativity that is deeply influenced by the philosophy and culture of the corresponding historical epoch. The quantitative analysis of art is therefore essential for better understanding human cultural evolution. Here we present a large-scale quantitative analysis of almost 140 thousand paintings, spanning nearly a millennium of art history. Based on the local spatial patterns in the images of these paintings, we estimate the permutation entropy and the statistical complexity of each painting. These measures map the degree of visual order of artworks into a scale of order-disorder and simplicity-complexity that locally reflects qualitative categories proposed by art historians. The dynamical behavior of these measures reveals a clear temporal evolution of art, marked by transitions that agree with the main historical periods of art. Our research shows that different artistic styles have a distinct average degree of entropy and complexity, thus allowing a hierarchical organization and clustering of styles according to these metrics. We have further verified that the identified groups correspond well with the textual content used to qualitatively describe the styles, and that the employed complexity-entropy measures can be used for an effective classification of artworks.
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