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Added by
Bruno Korbar
Publication date
2020
fields
Informatics Engineering
and research's language is
English
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With the advent of large-scale multimodal video datasets, especially sequences with audio or transcribed speech, there has been a growing interest in self-supervised learning of video representations. Most prior work formulates the objective as a contrastive metric learning problem between the modalities. To enable effective learning, however, these strategies require a careful selection of positive and negative samples often combined with hand-designed curriculum policies. In this work we remove the need for negative sampling by taking a generative modeling approach that poses the objective as a translation problem between modalities. Such a formulation allows us to tackle a wide variety of downstream video understanding tasks by means of a single unified framework, without the need for large batches of negative samples common in contrastive metric learning. We experiment with the large-scale HowTo100M dataset for training, and report performance gains over the state-of-the-art on several downstream tasks including video classification (EPIC-Kitchens), question answering (TVQA), captioning (TVC, YouCook2, and MSR-VTT), and text-based clip retrieval (YouCook2 and MSR-VTT).
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We present Wav2Lip-Emotion, a video-to-video translation architecture that modifies facial expressions of emotion in videos of speakers. Previous work modifies emotion in images, uses a single image to produce a video with animated emotion, or puppets facial expressions in videos with landmarks from a reference video. However, many use cases such as modifying an actors performance in post-production, coaching individuals to be more animated speakers, or touching up emotion in a teleconference require a video-to-video translation approach. We explore a method to maintain speakers lip movements, identity, and pose while translating their expressed emotion. Our approach extends an existing multi-modal lip synchronization architecture to modify the speakers emotion using L1 reconstruction and pre-trained emotion objectives. We also propose a novel automated emotion evaluation approach and corroborate it with a user study. These find that we succeed in modifying emotion while maintaining lip synchronization. Visual quality is somewhat diminished, with a trade off between greater emotion modification and visual quality between model variants. Nevertheless, we demonstrate (1) that facial expressions of emotion can be modified with nothing other than L1 reconstruction and pre-trained emotion objectives and (2) that our automated emotion evaluation approach aligns with human judgements.
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