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Register a new userInvestigating U-Nets with various Intermediate Blocks for Spectrogram-based Singing Voice Separation
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Singing Voice Separation (SVS) tries to separate singing voice from a given mixed musical signal. Recently, many U-Net-based models have been proposed for the SVS task, but there were no existing works that evaluate and compare various types of intermediate blocks that can be used in the U-Net architecture. In this paper, we introduce a variety of intermediate spectrogram transformation blocks. We implement U-nets based on these blocks and train them on complex-valued spectrograms to consider both magnitude and phase. These networks are then compared on the SDR metric. When using a particular block composed of convolutional and fully-connected layers, it achieves state-of-the-art SDR on the MUSDB singing voice separation task by a large margin of 0.9 dB. Our code and models are available online.
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Music source separation is important for applications such as karaoke and remixing. Much of previous research focuses on estimating short-time Fourier transform (STFT) magnitude and discarding phase information. We observe that, for singing voice separation, phase can make considerable improvement in separation quality. This paper proposes a complex ratio masking method for voice and accompaniment separation. The proposed method employs DenseUNet with self attention to estimate the real and imaginary components of STFT for each sound source. A simple ensemble technique is introduced to further improve separation performance. Evaluation results demonstrate that the proposed method outperforms recent state-of-the-art models for both separated voice and accompaniment.
The neural network (NN) based singing voice synthesis (SVS) systems require sufficient data to train well and are prone to over-fitting due to data scarcity. However, we often encounter data limitation problem in building SVS systems because of high data acquisition and annotation costs. In this work, we propose a Perceptual Entropy (PE) loss derived from a psycho-acoustic hearing model to regularize the network. With a one-hour open-source singing voice database, we explore the impact of the PE loss on various mainstream sequence-to-sequence models, including the RNN-based, transformer-based, and conformer-based models. Our experiments show that the PE loss can mitigate the over-fitting problem and significantly improve the synthesized singing quality reflected in objective and subjective evaluations.
Machine learning based singing voice models require large datasets and lengthy training times. In this work we present a lightweight architecture, based on the Differentiable Digital Signal Processing (DDSP) library, that is able to output song-like utterances conditioned only on pitch and amplitude, after twelve hours of training using small datasets of unprocessed audio. The results are promising, as both the melody and the singers voice are recognizable. In addition, we present two zero-configuration tools to train new models and experiment with them. Currently we are exploring the latent space representation, which is included in the DDSP library, but not in the original DDSP examples. Our results indicate that the latent space improves both the identification of the singer as well as the comprehension of the lyrics. Our code is available at https://github.com/juanalonso/DDSP-singing-experiments with links to the zero-configuration notebooks, and our sound examples are at https://juanalonso.github.io/DDSP-singing-experiments/ .
We propose a flexible framework that deals with both singer conversion and singers vocal technique conversion. The proposed model is trained on non-parallel corpora, accommodates many-to-many conversion, and leverages recent advances of variational autoencoders. It employs separate encoders to learn disentangled latent representations of singer identity and vocal technique separately, with a joint decoder for reconstruction. Conversion is carried out by simple vector arithmetic in the learned latent spaces. Both a quantitative analysis as well as a visualization of the converted spectrograms show that our model is able to disentangle singer identity and vocal technique and successfully perform conversion of these attributes. To the best of our knowledge, this is the first work to jointly tackle conversion of singer identity and vocal technique based on a deep learning approach.
Singing voice conversion is converting the timbre in the source singing to the target speakers voice while keeping singing content the same. However, singing data for target speaker is much more difficult to collect compared with normal speech data.In this paper, we introduce a singing voice conversion algorithm that is capable of generating high quality target speakers singing using only his/her normal speech data. First, we manage to integrate the training and conversion process of speech and singing into one framework by unifying the features used in standard speech synthesis system and singing synthesis system. In this way, normal speech data can also contribute to singing voice conversion training, making the singing voice conversion system more robust especially when the singing database is small.Moreover, in order to achieve one-shot singing voice conversion, a speaker embedding module is developed using both speech and singing data, which provides target speaker identify information during conversion. Experiments indicate proposed sing conversion system can convert source singing to target speakers high-quality singing with only 20 seconds of target speakers enrollment speech data.
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