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Register a new userSupervised Classifiers for Audio Impairments with Noisy Labels
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Added by
Chandan Karadagur Ananda Reddy
Publication date
2019
fields
Informatics Engineering
and research's language is
English
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Voice-over-Internet-Protocol (VoIP) calls are prone to various speech impairments due to environmental and network conditions resulting in bad user experience. A reliable audio impairment classifier helps to identify the cause for bad audio quality. The user feedback after the call can act as the ground truth labels for training a supervised classifier on a large audio dataset. However, the labels are noisy as most of the users lack the expertise to precisely articulate the impairment in the perceived speech. In this paper, we analyze the effects of massive noise in labels in training dense networks and Convolutional Neural Networks (CNN) using engineered features, spectrograms and raw audio samples as inputs. We demonstrate that CNN can generalize better on the training data with a large number of noisy labels and gives remarkably higher test performance. The classifiers were trained both on randomly generated label noise and the label noise introduced by human errors. We also show that training with noisy labels requires a significant increase in the training dataset size, which is in proportion to the amount of noise in the labels.
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High quality labeled datasets have allowed deep learning to achieve impressive results on many sound analysis tasks. Yet, it is labor-intensive to accurately annotate large amount of audio data, and the dataset may contain noisy labels in the practical settings. Meanwhile, the deep neural networks are susceptive to those incorrect labeled data because of their outstanding memorization ability. In this paper, we present a novel framework, named CrossFilter, to combat the noisy labels problem for audio tagging. Multiple representations (such as, Logmel and MFCC) are used as the input of our framework for providing more complementary information of the audio. Then, though the cooperation and interaction of two neural networks, we divide the dataset into curated and noisy subsets by incrementally pick out the possibly correctly labeled data from the noisy data. Moreover, our approach leverages the multi-task learning on curated and noisy subsets with different loss function to fully utilize the entire dataset. The noisy-robust loss function is employed to alleviate the adverse effects of incorrect labels. On both the audio tagging datasets FSDKaggle2018 and FSDKaggle2019, empirical results demonstrate the performance improvement compared with other competing approaches. On FSDKaggle2018 dataset, our method achieves state-of-the-art performance and even surpasses the ensemble models.
Data augmentation is an inexpensive way to increase training data diversity and is commonly achieved via transformations of existing data. For tasks such as classification, there is a good case for learning representations of the data that are invariant to such transformations, yet this is not explicitly enforced by classification losses such as the cross-entropy loss. This paper investigates the use of training objectives that explicitly impose this consistency constraint and how it can impact downstream audio classification tasks. In the context of deep convolutional neural networks in the supervised setting, we show empirically that certain measures of consistency are not implicitly captured by the cross-entropy loss and that incorporating such measures into the loss function can improve the performance of audio classification systems. Put another way, we demonstrate how existing augmentation methods can further improve learning by enforcing consistency.
Fake audio attack becomes a major threat to the speaker verification system. Although current detection approaches have achieved promising results on dataset-specific scenarios, they encounter difficulties on unseen spoofing data. Fine-tuning and retraining from scratch have been applied to incorporate new data. However, fine-tuning leads to performance degradation on previous data. Retraining takes a lot of time and computation resources. Besides, previous data are unavailable due to privacy in some situations. To solve the above problems, this paper proposes detecting fake without forgetting, a continual-learning-based method, to make the model learn new spoofing attacks incrementally. A knowledge distillation loss is introduced to loss function to preserve the memory of original model. Supposing the distribution of genuine voice is consistent among different scenarios, an extra embedding similarity loss is used as another constraint to further do a positive sample alignment. Experiments are conducted on the ASVspoof2019 dataset. The results show that our proposed method outperforms fine-tuning by the relative reduction of average equal error rate up to 81.62%.
In this paper, we describe our contribution to Task 2 of the DCASE 2018 Audio Challenge. While it has become ubiquitous to utilize an ensemble of machine learning methods for classification tasks to obtain better predictive performance, the majority of ensemble methods combine predictions rather than learned features. We propose a single-model method that combines learned high-level features computed from log-scaled mel-spectrograms and raw audio data. These features are learned separately by two Convolutional Neural Networks, one for each input type, and then combined by densely connected layers within a single network. This relatively simple approach along with data augmentation ranks among the best two percent in the Freesound General-Purpose Audio Tagging Challenge on Kaggle.
Recent work has proposed the use of tensor decomposition to model repetitions and to separate tracks in loop-based electronic music. The present work investigates further on the ability of Nonnegative Tucker Decompositon (NTD) to uncover musical patterns and structure in pop songs in their audio form. Exploiting the fact that NTD tends to express the content of bars as linear combinations of a few patterns, we illustrate the ability of the decomposition to capture and single out repeated motifs in the corresponding compressed space, which can be interpreted from a musical viewpoint. The resulting features also turn out to be efficient for structural segmentation, leading to experimental results on the RWC Pop data set which are potentially challenging state-of-the-art approaches that rely on extensive example-based learning schemes.
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