No Arabic abstract
Fake audio attack becomes a major threat to the speaker verification system. Although current detection approaches have achieved promising results on dataset-specific scenarios, they encounter difficulties on unseen spoofing data. Fine-tuning and retraining from scratch have been applied to incorporate new data. However, fine-tuning leads to performance degradation on previous data. Retraining takes a lot of time and computation resources. Besides, previous data are unavailable due to privacy in some situations. To solve the above problems, this paper proposes detecting fake without forgetting, a continual-learning-based method, to make the model learn new spoofing attacks incrementally. A knowledge distillation loss is introduced to loss function to preserve the memory of original model. Supposing the distribution of genuine voice is consistent among different scenarios, an extra embedding similarity loss is used as another constraint to further do a positive sample alignment. Experiments are conducted on the ASVspoof2019 dataset. The results show that our proposed method outperforms fine-tuning by the relative reduction of average equal error rate up to 81.62%.
Channel is one of the important criterions for digital audio quality. General-ly, stereo audio two channels can provide better perceptual quality than mono audio. To seek illegal commercial benefit, one might convert mono audio to stereo one with fake quality. Identifying of stereo faking audio is still a less-investigated audio forensic issue. In this paper, a stereo faking corpus is first present, which is created by Haas Effect technique. Then the effect of stereo faking on Mel Frequency Cepstral Coefficients (MFCC) is analyzed to find the difference between the real and faked stereo audio. Fi-nally, an effective algorithm for identifying stereo faking audio is proposed, in which 80-dimensional MFCC features and Support Vector Machine (SVM) classifier are adopted. The experimental results on three datasets with five different cut-off frequencies show that the proposed algorithm can ef-fectively detect stereo faking audio and achieve a good robustness.
We introduce Surfboard, an open-source Python library for extracting audio features with application to the medical domain. Surfboard is written with the aim of addressing pain points of existing libraries and facilitating joint use with modern machine learning frameworks. The package can be accessed both programmatically in Python and via its command line interface, allowing it to be easily integrated within machine learning workflows. It builds on state-of-the-art audio analysis packages and offers multiprocessing support for processing large workloads. We review similar frameworks and describe Surfboards architecture, including the clinical motivation for its features. Using the mPower dataset, we illustrate Surfboards application to a Parkinsons disease classification task, highlighting common pitfalls in existing research. The source code is opened up to the research community to facilitate future audio research in the clinical domain.
Audio classification using breath and cough samples has recently emerged as a low-cost, non-invasive, and accessible COVID-19 screening method. However, no application has been approved for official use at the time of writing due to the stringent reliability and accuracy requirements of the critical healthcare setting. To support the development of the Machine Learning classification models, we performed an extensive comparative investigation and ranking of 15 audio features, including less well-known ones. The results were verified on two independent COVID-19 sound datasets. By using the identified top-performing features, we have increased the COVID-19 classification accuracy by up to 17% on the Cambridge dataset, and up to 10% on the Coswara dataset, compared to the original baseline accuracy without our feature ranking.
Diverse promising datasets have been designed to hold back the development of fake audio detection, such as ASVspoof databases. However, previous datasets ignore an attacking situation, in which the hacker hides some small fake clips in real speech audio. This poses a serious threat since that it is difficult to distinguish the small fake clip from the whole speech utterance. Therefore, this paper develops such a dataset for half-truth audio detection (HAD). Partially fake audio in the HAD dataset involves only changing a few words in an utterance.The audio of the words is generated with the very latest state-of-the-art speech synthesis technology. We can not only detect fake uttrances but also localize manipulated regions in a speech using this dataset. Some benchmark results are presented on this dataset. The results show that partially fake audio presents much more challenging than fully fake audio for fake audio detection.
Sound event detection is an important facet of audio tagging that aims to identify sounds of interest and define both the sound category and time boundaries for each sound event in a continuous recording. With advances in deep neural networks, there has been tremendous improvement in the performance of sound event detection systems, although at the expense of costly data collection and labeling efforts. In fact, current state-of-the-art methods employ supervised training methods that leverage large amounts of data samples and corresponding labels in order to facilitate identification of sound category and time stamps of events. As an alternative, the current study proposes a semi-supervised method for generating pseudo-labels from unsupervised data using a student-teacher scheme that balances self-training and cross-training. Additionally, this paper explores post-processing which extracts sound intervals from network prediction, for further improvement in sound event detection performance. The proposed approach is evaluated on sound event detection task for the DCASE2020 challenge. The results of these methods on both validation and public evaluation sets of DESED database show significant improvement compared to the state-of-the art systems in semi-supervised learning.