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Register a new userJointly Detecting and Separating Singing Voice: A Multi-Task Approach
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Added by
Daniel Stoller
Publication date
2018
fields
Informatics Engineering
and research's language is
English
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A main challenge in applying deep learning to music processing is the availability of training data. One potential solution is Multi-task Learning, in which the model also learns to solve related auxiliary tasks on additional datasets to exploit their correlation. While intuitive in principle, it can be challenging to identify related tasks and construct the model to optimally share information between tasks. In this paper, we explore vocal activity detection as an additional task to stabilise and improve the performance of vocal separation. Further, we identify problematic biases specific to each dataset that could limit the generalisation capability of separation and detection models, to which our proposed approach is robust. Experiments show improved performance in separation as well as vocal detection compared to single-task baselines. However, we find that the commonly used Signal-to-Distortion Ratio (SDR) metrics did not capture the improvement on non-vocal sections, indicating the need for improved evaluation methodologies.
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With the rapid development of neural network architectures and speech processing models, singing voice synthesis with neural networks is becoming the cutting-edge technique of digital music production. In this work, in order to explore how to improve the quality and efficiency of singing voice synthesis, in this work, we use encoder-decoder neural models and a number of vocoders to achieve singing voice synthesis. We conduct experiments to demonstrate that the models can be trained using voice data with pitch information, lyrics and beat information, and the trained models can produce smooth, clear and natural singing voice that is close to real human voice. As the models work in the end-to-end manner, they allow users who are not domain experts to directly produce singing voice by arranging pitches, lyrics and beats.
In this paper, we tackle the singing voice phoneme segmentation problem in the singing training scenario by using language-independent information -- onset and prior coarse duration. We propose a two-step method. In the first step, we jointly calculate the syllable and phoneme onset detection functions (ODFs) using a convolutional neural network (CNN). In the second step, the syllable and phoneme boundaries and labels are inferred hierarchically by using a duration-informed hidden Markov model (HMM). To achieve the inference, we incorporate the a priori duration model as the transition probabilities and the ODFs as the emission probabilities into the HMM. The proposed method is designed in a language-independent way such that no phoneme class labels are used. For the model training and algorithm evaluation, we collect a new jingju (also known as Beijing or Peking opera) solo singing voice dataset and manually annotate the boundaries and labels at phrase, syllable and phoneme levels. The dataset is publicly available. The proposed method is compared with a baseline method based on hidden semi-Markov model (HSMM) forced alignment. The evaluation results show that the proposed method outperforms the baseline by a large margin regarding both segmentation and onset detection tasks.
Machine learning based singing voice models require large datasets and lengthy training times. In this work we present a lightweight architecture, based on the Differentiable Digital Signal Processing (DDSP) library, that is able to output song-like utterances conditioned only on pitch and amplitude, after twelve hours of training using small datasets of unprocessed audio. The results are promising, as both the melody and the singers voice are recognizable. In addition, we present two zero-configuration tools to train new models and experiment with them. Currently we are exploring the latent space representation, which is included in the DDSP library, but not in the original DDSP examples. Our results indicate that the latent space improves both the identification of the singer as well as the comprehension of the lyrics. Our code is available at https://github.com/juanalonso/DDSP-singing-experiments with links to the zero-configuration notebooks, and our sound examples are at https://juanalonso.github.io/DDSP-singing-experiments/ .
Since the vocal component plays a crucial role in popular music, singing voice detection has been an active research topic in music information retrieval. Although several proposed algorithms have shown high performances, we argue that there still is a room to improve to build a more robust singing voice detection system. In order to identify the area of improvement, we first perform an error analysis on three recent singing voice detection systems. Based on the analysis, we design novel methods to test the systems on multiple sets of internally curated and generated data to further examine the pitfalls, which are not clearly revealed with the current datasets. From the experiment results, we also propose several directions towards building a more robust singing voice detector.
We present a database of parallel recordings of speech and singing, collected and released by the Human Language Technology (HLT) laboratory at the National University of Singapore (NUS), that is called NUS-HLT Speak-Sing (NHSS) database. We release this database to the public to support research activities, that include, but not limited to comparative studies of acoustic attributes of speech and singing signals, cooperative synthesis of speech and singing voices, and speech-to-singing conversion. This database consists of recordings of sung vocals of English pop songs, the spoken counterpart of lyrics of the songs read by the singers in their natural reading manner, and manually prepared utterance-level and word-level annotations. The audio recordings in the NHSS database correspond to 100 songs sung and spoken by 10 singers, resulting in a total of 7 hours of audio data. There are 5 male and 5 female singers, singing and reading the lyrics of 10 songs each. In this paper, we discuss the design methodology of the database, analyse the similarities and dissimilarities in characteristics of speech and singing voices, and provide some strategies to address relationships between these characteristics for converting one to another. We develop benchmark systems, which can be used as reference for speech-to-singing alignment, spectral mapping, and conversion using the NHSS database.
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