There have been numerous studies dealing with the environmental and social aspects of the
type of buildings with internal courtyards, through studying the functions of the internal
courtyard, environmental, utilitarian, social and formative. but th
ese studies did not address
the importance of internal courtyard in achieving the ease of spatial orientation, through its
role in easy access to the space required In buildings in general, and in university buildings
in particular.
The research starts from the following hypothesis: The morphological and Syntactical
characteristics of the internal courtyard of the university buildings affect the ease of
orientation of the users, and aims to identify these characteristics that achieve easy access
to the goal. For this purpose, including theoretical and practical colleges, where a special
description of the morphological characteristics of the internal courtyard in the university
buildings, and determinants that help the designer in the use of the internal courtyard in
designing of spatial configurations of the university buildings to achieve the ease of spatial
orientation.
This research includes the
theoretical framework of formal relations between the components of the plans elements of
Khans. Depending on some modern studies in forming relationships, some formal relationships
are determined. They are represented b
y the relationship between the repetitive and unique
elements which form the final shape of the building. The scientific method is adopted in addition
to the statistical analysis for the purpose of access to the distinctive characteristics of Khans
buildings. It is clear from the practical results of this research that Khans buildings are
characterized by their participating characteristics by similar properties despite differences in
the time period in which the completion of that building, as well as differences in the
geographical location of those buildings. This conclusion indicates the unique vision and
common background of architectural thought in spite of the change of time and place. The
unique harmony of architecture thought determines the identity of Islamic architecture. This
indicates the consistency of this architecture that were not documented and does not have the
names of the creators who have done it, which by the history evidenced that it is fantastic.