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The fundamental conflict between the enormous space of adaptive streaming videos and the limited capacity for subjective experiment casts significant challenges to objective Quality-of-Experience (QoE) prediction. Existing objective QoE models exhibit complex functional form, failing to generalize well in diverse streaming environments. In this study, we propose an objective QoE model namely knowledge-driven streaming quality index (KSQI) to integrate prior knowledge on the human visual system and human annotated data in a principled way. By analyzing the subjective characteristics towards streaming videos from a corpus of subjective studies, we show that a family of QoE functions lies in a convex set. Using a variant of projected gradient descent, we optimize the objective QoE model over a database of training videos. The proposed KSQI demonstrates strong generalizability to diverse streaming environments, evident by state-of-the-art performance on four publicly available benchmark datasets.
The diversity of video delivery pipeline poses a grand challenge to the evaluation of adaptive bitrate (ABR) streaming algorithms and objective quality-of-experience (QoE) models. Here we introduce so-far the largest subject-rated database of its kin
The latest High Efficiency Video Coding (HEVC) standard has been increasingly applied to generate video streams over the Internet. However, HEVC compressed videos may incur severe quality degradation, particularly at low bit-rates. Thus, it is necess
This paper investigates adaptive streaming of one or multiple tiled 360 videos from a multi-antenna base station (BS) to one or multiple single-antenna users, respectively, in a multi-carrier wireless system. We aim to maximize the video quality whil
With the merit of containing full panoramic content in one camera, Virtual Reality (VR) and 360-degree videos have attracted more and more attention in the field of industrial cloud manufacturing and training. Industrial Internet of Things (IoT), whe
Quality assessment of in-the-wild videos is a challenging problem because of the absence of reference videos and shooting distortions. Knowledge of the human visual system can help establish methods for objective quality assessment of in-the-wild vid