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Register a new userNormalized Avatar Synthesis Using StyleGAN and Perceptual Refinement
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Added by
Liwen Hu
Publication date
2021
fields
Informatics Engineering
and research's language is
English
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We introduce a highly robust GAN-based framework for digitizing a normalized 3D avatar of a person from a single unconstrained photo. While the input image can be of a smiling person or taken in extreme lighting conditions, our method can reliably produce a high-quality textured model of a persons face in neutral expression and skin textures under diffuse lighting condition. Cutting-edge 3D face reconstruction methods use non-linear morphable face models combined with GAN-based decoders to capture the likeness and details of a person but fail to produce neutral head models with unshaded albedo textures which is critical for creating relightable and animation-friendly avatars for integration in virtual environments. The key challenges for existing methods to work is the lack of training and ground truth data containing normalized 3D faces. We propose a two-stage approach to address this problem. First, we adopt a highly robust normalized 3D face generator by embedding a non-linear morphable face model into a StyleGAN2 network. This allows us to generate detailed but normalized facial assets. This inference is then followed by a perceptual refinement step that uses the generated assets as regularization to cope with the limited available training samples of normalized faces. We further introduce a Normalized Face Dataset, which consists of a combination photogrammetry scans, carefully selected photographs, and generated fake people with neutral expressions in diffuse lighting conditions. While our prepared dataset contains two orders of magnitude less subjects than cutting edge GAN-based 3D facial reconstruction methods, we show that it is possible to produce high-quality normalized face models for very challenging unconstrained input images, and demonstrate superior performance to the current state-of-the-art.
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This paper studies the problem of StyleGAN inversion, which plays an essential role in enabling the pretrained StyleGAN to be used for real facial image editing tasks. This problem has the high demand for quality and efficiency. Existing optimization-based methods can produce high quality results, but the optimization often takes a long time. On the contrary, forward-based methods are usually faster but the quality of their results is inferior. In this paper, we present a new feed-forward network for StyleGAN inversion, with significant improvement in terms of efficiency and quality. In our inversion network, we introduce: 1) a shallower backbone with multiple efficient heads across scales; 2) multi-layer identity loss and multi-layer face parsing loss to the loss function; and 3) multi-stage refinement. Combining these designs together forms a simple and efficient baseline method which exploits all benefits of optimization-based and forward-based methods. Quantitative and qualitative results show that our method performs better than existing forward-based methods and comparably to state-of-the-art optimization-based methods, while maintaining the high efficiency as well as forward-based methods. Moreover, a number of real image editing applications demonstrate the efficacy of our method. Our project page is ~url{https://wty-ustc.github.io/inversion}.
Recently, the power of unconditional image synthesis has significantly advanced through the use of Generative Adversarial Networks (GANs). The task of inverting an image into its corresponding latent code of the trained GAN is of utmost importance as it allows for the manipulation of real images, leveraging the rich semantics learned by the network. Recognizing the limitations of current inversion approaches, in this work we present a novel inversion scheme that extends current encoder-based inversion methods by introducing an iterative refinement mechanism. Instead of directly predicting the latent code of a given real image using a single pass, the encoder is tasked with predicting a residual with respect to the current estimate of the inverted latent code in a self-correcting manner. Our residual-based encoder, named ReStyle, attains improved accuracy compared to current state-of-the-art encoder-based methods with a negligible increase in inference time. We analyze the behavior of ReStyle to gain valuable insights into its iterative nature. We then evaluate the performance of our residual encoder and analyze its robustness compared to optimization-based inversion and state-of-the-art encoders.
Recent work has shown great progress in building photorealistic animatable full-body codec avatars, but these avatars still face difficulties in generating high-fidelity animation of clothing. To address the difficulties, we propose a method to build an animatable clothed body avatar with an explicit representation of the clothing on the upper body from multi-view captured videos. We use a two-layer mesh representation to separately register the 3D scans with templates. In order to improve the photometric correspondence across different frames, texture alignment is then performed through inverse rendering of the clothing geometry and texture predicted by a variational autoencoder. We then train a new two-layer codec avatar with separate modeling of the upper clothing and the inner body layer. To learn the interaction between the body dynamics and clothing states, we use a temporal convolution network to predict the clothing latent code based on a sequence of input skeletal poses. We show photorealistic animation output for three different actors, and demonstrate the advantage of our clothed-body avatars over single-layer avatars in the previous work. We also show the benefit of an explicit clothing model which allows the clothing texture to be edited in the animation output.
Facial expression retargeting from humans to virtual characters is a useful technique in computer graphics and animation. Traditional methods use markers or blendshapes to construct a mapping between the human and avatar faces. However, these approaches require a tedious 3D modeling process, and the performance relies on the modelers experience. In this paper, we propose a brand-new solution to this cross-domain expression transfer problem via nonlinear expression embedding and expression domain translation. We first build low-dimensional latent spaces for the human and avatar facial expressions with variational autoencoder. Then we construct correspondences between the two latent spaces guided by geometric and perceptual constraints. Specifically, we design geometric correspondences to reflect geometric matching and utilize a triplet data structure to express users perceptual preference of avatar expressions. A user-friendly method is proposed to automatically generate triplets for a system allowing users to easily and efficiently annotate the correspondences. Using both geometric and perceptual correspondences, we trained a network for expression domain translation from human to avatar. Extensive experimental results and user studies demonstrate that even nonprofessional users can apply our method to generate high-quality facial expression retargeting results with less time and effort.
We explore and analyze the latent style space of StyleGAN2, a state-of-the-art architecture for image generation, using models pretrained on several different datasets. We first show that StyleSpace, the space of channel-wise style parameters, is significantly more disentangled than the other intermediate latent spaces explored by previous works. Next, we describe a method for discovering a large collection of style channels, each of which is shown to control a distinct visual attribute in a highly localized and disentangled manner. Third, we propose a simple method for identifying style channels that control a specific attribute, using a pretrained classifier or a small number of example images. Manipulation of visual attributes via these StyleSpace controls is shown to be better disentangled than via those proposed in previous works. To show this, we make use of a newly proposed Attribute Dependency metric. Finally, we demonstrate the applicability of StyleSpace controls to the manipulation of real images. Our findings pave the way to semantically meaningful and well-disentangled image manipulations via simple and intuitive interfaces.
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