Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userRobust wav2vec 2.0: Analyzing Domain Shift in Self-Supervised Pre-Training
88
0
0.0
(
0
)
Added by
Wei-Ning Hsu
Publication date
2021
fields
Informatics Engineering
and research's language is
English
Ask ChatGPT about the research
No Arabic abstract
Self-supervised learning of speech representations has been a very active research area but most work is focused on a single domain such as read audio books for which there exist large quantities of labeled and unlabeled data. In this paper, we explore more general setups where the domain of the unlabeled data for pre-training data differs from the domain of the labeled data for fine-tuning, which in turn may differ from the test data domain. Our experiments show that using target domain data during pre-training leads to large performance improvements across a variety of setups. On a large-scale competitive setup, we show that pre-training on unlabeled in-domain data reduces the gap between models trained on in-domain and out-of-domain labeled data by 66%-73%. This has obvious practical implications since it is much easier to obtain unlabeled target domain data than labeled data. Moreover, we find that pre-training on multiple domains improves generalization performance on domains not seen during training. Code and models will be made available at https://github.com/pytorch/fairseq.
rate research
Read More
Deep learning is very data hungry, and supervised learning especially requires massive labeled data to work well. Machine listening research often suffers from limited labeled data problem, as human annotations are costly to acquire, and annotations for audio are time consuming and less intuitive. Besides, models learned from labeled dataset often embed biases specific to that particular dataset. Therefore, unsupervised learning techniques become popular approaches in solving machine listening problems. Particularly, a self-supervised learning technique utilizing reconstructions of multiple hand-crafted audio features has shown promising results when it is applied to speech domain such as emotion recognition and automatic speech recognition (ASR). In this paper, we apply self-supervised and multi-task learning methods for pre-training music encoders, and explore various design choices including encoder architectures, weighting mechanisms to combine losses from multiple tasks, and worker selections of pretext tasks. We investigate how these design choices interact with various downstream music classification tasks. We find that using various music specific workers altogether with weighting mechanisms to balance the losses during pre-training helps improve and generalize to the downstream tasks.
Large performance degradation is often observed for speaker ver-ification systems when applied to a new domain dataset. Givenan unlabeled target-domain dataset, unsupervised domain adaptation(UDA) methods, which usually leverage adversarial training strate-gies, are commonly used to bridge the performance gap caused bythe domain mismatch. However, such adversarial training strategyonly uses the distribution information of target domain data and cannot ensure the performance improvement on the target domain. Inthis paper, we incorporate self-supervised learning strategy to the un-supervised domain adaptation system and proposed a self-supervisedlearning based domain adaptation approach (SSDA). Compared tothe traditional UDA method, the new SSDA training strategy canfully leverage the potential label information from target domainand adapt the speaker discrimination ability from source domainsimultaneously. We evaluated the proposed approach on the Vox-Celeb (labeled source domain) and CnCeleb (unlabeled target do-main) datasets, and the best SSDA system obtains 10.2% Equal ErrorRate (EER) on the CnCeleb dataset without using any speaker labelson CnCeleb, which also can achieve the state-of-the-art results onthis corpus.
While deep learning based end-to-end automatic speech recognition (ASR) systems have greatly simplified modeling pipelines, they suffer from the data sparsity issue. In this work, we propose a self-training method with an end-to-end system for semi-supervised ASR. Starting from a Connectionist Temporal Classification (CTC) system trained on the supervised data, we iteratively generate pseudo-labels on a mini-batch of unsupervised utterances with the current model, and use the pseudo-labels to augment the supervised data for immediate model update. Our method retains the simplicity of end-to-end ASR systems, and can be seen as performing alternating optimization over a well-defined learning objective. We also perform empirical investigations of our method, regarding the effect of data augmentation, decoding beamsize for pseudo-label generation, and freshness of pseudo-labels. On a commonly used semi-supervised ASR setting with the WSJ corpus, our method gives 14.4% relative WER improvement over a carefully-trained base system with data augmentation, reducing the performance gap between the base system and the oracle system by 50%.
Symbolic music understanding, which refers to the understanding of music from the symbolic data (e.g., MIDI format, but not audio), covers many music applications such as genre classification, emotion classification, and music pieces matching. While good music representations are beneficial for these applications, the lack of training data hinders representation learning. Inspired by the success of pre-training models in natural language processing, in this paper, we develop MusicBERT, a large-scale pre-trained model for music understanding. To this end, we construct a large-scale symbolic music corpus that contains more than 1 million music songs. Since symbolic music contains more structural (e.g., bar, position) and diverse information (e.g., tempo, instrument, and pitch), simply adopting the pre-training techniques from NLP to symbolic music only brings marginal gains. Therefore, we design several mechanisms, including OctupleMIDI encoding and bar-level masking strategy, to enhance pre-training with symbolic music data. Experiments demonstrate the advantages of MusicBERT on four music understanding tasks, including melody completion, accompaniment suggestion, genre classification, and style classification. Ablation studies also verify the effectiveness of our designs of OctupleMIDI encoding and bar-level masking strategy in MusicBERT.
Self-supervised pre-training (SSP) employs random image transformations to generate training data for visual representation learning. In this paper, we first present a modeling framework that unifies existing SSP methods as learning to predict pseudo-labels. Then, we propose new data augmentation methods of generating training examples whose pseudo-labels are harder to predict than those generated via random image transformations. Specifically, we use adversarial training and CutMix to create hard examples (HEXA) to be used as augmented views for MoCo-v2 and DeepCluster-v2, leading to two variants HEXA_{MoCo} and HEXA_{DCluster}, respectively. In our experiments, we pre-train models on ImageNet and evaluate them on multiple public benchmarks. Our evaluation shows that the two new algorithm variants outperform their original counterparts, and achieve new state-of-the-art on a wide range of tasks where limited task supervision is available for fine-tuning. These results verify that hard examples are instrumental in improving the generalization of the pre-trained models.
suggested questions
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
