Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userVisual Framing of Science Conspiracy Videos: Integrating Machine Learning with Communication Theories to Study the Use of Color and Brightness
202
0
0.0
(
0
)
Added by
Kaiping Chen
Publication date
2021
fields
Informatics Engineering
and research's language is
English
Ask ChatGPT about the research
No Arabic abstract
Recent years have witnessed an explosion of science conspiracy videos on the Internet, challenging science epistemology and public understanding of science. Scholars have started to examine the persuasion techniques used in conspiracy messages such as uncertainty and fear yet, little is understood about the visual narratives, especially how visual narratives differ in videos that debunk conspiracies versus those that propagate conspiracies. This paper addresses this gap in understanding visual framing in conspiracy videos through analyzing millions of frames from conspiracy and counter-conspiracy YouTube videos using computational methods. We found that conspiracy videos tended to use lower color variance and brightness, especially in thumbnails and earlier parts of the videos. This paper also demonstrates how researchers can integrate textual and visual features for identifying conspiracies on social media and discusses the implications of computational modeling for scholars interested in studying visual manipulation in the digital era.
rate research
Read More
This paper targets at learning to score the figure skating sports videos. To address this task, we propose a deep architecture that includes two complementary components, i.e., Self-Attentive LSTM and Multi-scale Convolutional Skip LSTM. These two components can efficiently learn the local and global sequential information in each video. Furthermore, we present a large-scale figure skating sports video dataset -- FisV dataset. This dataset includes 500 figure skating videos with the average length of 2 minutes and 50 seconds. Each video is annotated by two scores of nine different referees, i.e., Total Element Score(TES) and Total Program Component Score (PCS). Our proposed model is validated on FisV and MIT-skate datasets. The experimental results show the effectiveness of our models in learning to score the figure skating videos.
Quality assessment of in-the-wild videos is a challenging problem because of the absence of reference videos and shooting distortions. Knowledge of the human visual system can help establish methods for objective quality assessment of in-the-wild videos. In this work, we show two eminent effects of the human visual system, namely, content-dependency and temporal-memory effects, could be used for this purpose. We propose an objective no-reference video quality assessment method by integrating both effects into a deep neural network. For content-dependency, we extract features from a pre-trained image classification neural network for its inherent content-aware property. For temporal-memory effects, long-term dependencies, especially the temporal hysteresis, are integrated into the network with a gated recurrent unit and a subjectively-inspired temporal pooling layer. To validate the performance of our method, experiments are conducted on three publicly available in-the-wild video quality assessment databases: KoNViD-1k, CVD2014, and LIVE-Qualcomm, respectively. Experimental results demonstrate that our proposed method outperforms five state-of-the-art methods by a large margin, specifically, 12.39%, 15.71%, 15.45%, and 18.09% overall performance improvements over the second-best method VBLIINDS, in terms of SROCC, KROCC, PLCC and RMSE, respectively. Moreover, the ablation study verifies the crucial role of both the content-aware features and the modeling of temporal-memory effects. The PyTorch implementation of our method is released at https://github.com/lidq92/VSFA.
Omnidirectional (or 360-degree) images and videos are emergent signals in many areas such as robotics and virtual/augmented reality. In particular, for virtual reality, they allow an immersive experience in which the user is provided with a 360-degree field of view and can navigate throughout a scene, e.g., through the use of Head Mounted Displays. Since it represents the full 360-degree field of view from one point of the scene, omnidirectional content is naturally represented as spherical visual signals. Current approaches for capturing, processing, delivering, and displaying 360-degree content, however, present many open technical challenges and introduce several types of distortions in these visual signals. Some of the distortions are specific to the nature of 360-degree images, and often different from those encountered in the classical image communication framework. This paper provides a first comprehensive review of the most common visual distortions that alter 360-degree signals undergoing state of the art processing in common applications. While their impact on viewers visual perception and on the immersive experience at large is still unknown ---thus, it stays an open research topic--- this review serves the purpose of identifying the main causes of visual distortions in the end-to-end 360-degree content distribution pipeline. It is essential as a basis for benchmarking different processing techniques, allowing the effective design of new algorithms and applications. It is also necessary to the deployment of proper psychovisual studies to characterise the human perception of these new images in interactive and immersive applications.
Video contents have become a critical tool for promoting products in E-commerce. However, the lack of automatic promotional video generation solutions makes large-scale video-based promotion campaigns infeasible. The first step of automatically producing promotional videos is to generate visual storylines, which is to select the building block footage and place them in an appropriate order. This task is related to the subjective viewing experience. It is hitherto performed by human experts and thus, hard to scale. To address this problem, we propose WundtBackpack, an algorithmic approach to generate storylines based on available visual materials, which can be video clips or images. It consists of two main parts, 1) the Learnable Wundt Curve to evaluate the perceived persuasiveness based on the stimulus intensity of a sequence of visual materials, which only requires a small volume of data to train; and 2) a clustering-based backpacking algorithm to generate persuasive sequences of visual materials while considering video length constraints. In this way, the proposed approach provides a dynamic structure to empower artificial intelligence (AI) to organize video footage in order to construct a sequence of visual stimuli with persuasive power. Extensive real-world experiments show that our approach achieves close to 10% higher perceived persuasiveness scores by human testers, and 12.5% higher expected revenue compared to the best performing state-of-the-art approach.
Audio-visual (AV) lip biometrics is a promising authentication technique that leverages the benefits of both the audio and visual modalities in speech communication. Previous works have demonstrated the usefulness of AV lip biometrics. However, the lack of a sizeable AV database hinders the exploration of deep-learning-based audio-visual lip biometrics. To address this problem, we compile a moderate-size database using existing public databases. Meanwhile, we establish the DeepLip AV lip biometrics system realized with a convolutional neural network (CNN) based video module, a time-delay neural network (TDNN) based audio module, and a multimodal fusion module. Our experiments show that DeepLip outperforms traditional speaker recognition models in context modeling and achieves over 50% relative improvements compared with our best single modality baseline, with an equal error rate of 0.75% and 1.11% on the test datasets, respectively.
suggested questions
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
