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Register a new userUnsupervised Deep Epipolar Flow for Stationary or Dynamic Scenes
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Added by
Yiran Zhong
Publication date
2019
fields
Informatics Engineering
and research's language is
English
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Unsupervised deep learning for optical flow computation has achieved promising results. Most existing deep-net based methods rely on image brightness consistency and local smoothness constraint to train the networks. Their performance degrades at regions where repetitive textures or occlusions occur. In this paper, we propose Deep Epipolar Flow, an unsupervised optical flow method which incorporates global geometric constraints into network learning. In particular, we investigate multiple ways of enforcing the epipolar constraint in flow estimation. To alleviate a ``chicken-and-egg type of problem encountered in dynamic scenes where multiple motions may be present, we propose a low-rank constraint as well as a union-of-subspaces constraint for training. Experimental results on various benchmarking datasets show that our method achieves competitive performance compared with supervised methods and outperforms state-of-the-art unsupervised deep-learning methods.
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Image view synthesis has seen great success in reconstructing photorealistic visuals, thanks to deep learning and various novel representations. The next key step in immersive virtual experiences is view synthesis of dynamic scenes. However, several challenges exist due to the lack of high-quality training datasets, and the additional time dimension for videos of dynamic scenes. To address this issue, we introduce a multi-view video dataset, captured with a custom 10-camera rig in 120FPS. The dataset contains 96 high-quality scenes showing various visual effects and human interactions in outdoor scenes. We develop a new algorithm, Deep 3D Mask Volume, which enables temporally-stable view extrapolation from binocular videos of dynamic scenes, captured by static cameras. Our algorithm addresses the temporal inconsistency of disocclusions by identifying the error-prone areas with a 3D mask volume, and replaces them with static background observed throughout the video. Our method enables manipulation in 3D space as opposed to simple 2D masks, We demonstrate better temporal stability than frame-by-frame static view synthesis methods, or those that use 2D masks. The resulting view synthesis videos show minimal flickering artifacts and allow for larger translational movements.
Synthesizing novel views of dynamic humans from stationary monocular cameras is a popular scenario. This is particularly attractive as it does not require static scenes, controlled environments, or specialized hardware. In contrast to techniques that exploit multi-view observations to constrain the modeling, given a single fixed viewpoint only, the problem of modeling the dynamic scene is significantly more under-constrained and ill-posed. In this paper, we introduce Neural Motion Consensus Flow (MoCo-Flow), a representation that models the dynamic scene using a 4D continuous time-variant function. The proposed representation is learned by an optimization which models a dynamic scene that minimizes the error of rendering all observation images. At the heart of our work lies a novel optimization formulation, which is constrained by a motion consensus regularization on the motion flow. We extensively evaluate MoCo-Flow on several datasets that contain human motions of varying complexity, and compare, both qualitatively and quantitatively, to several baseline methods and variants of our methods. Pretrained model, code, and data will be released for research purposes upon paper acceptance.
We present a method to perform novel view and time synthesis of dynamic scenes, requiring only a monocular video with known camera poses as input. To do this, we introduce Neural Scene Flow Fields, a new representation that models the dynamic scene as a time-variant continuous function of appearance, geometry, and 3D scene motion. Our representation is optimized through a neural network to fit the observed input views. We show that our representation can be used for complex dynamic scenes, including thin structures, view-dependent effects, and natural degrees of motion. We conduct a number of experiments that demonstrate our approach significantly outperforms recent monocular view synthesis methods, and show qualitative results of space-time view synthesis on a variety of real-world videos.
This paper describes a viewpoint-robust object-based change detection network (OBJ-CDNet). Mobile cameras such as drive recorders capture images from different viewpoints each time due to differences in camera trajectory and shutter timing. However, previous methods for pixel-wise change detection are vulnerable to the viewpoint differences because they assume aligned image pairs as inputs. To cope with the difficulty, we introduce a deep graph matching network that establishes object correspondence between an image pair. The introduction enables us to detect object-wise scene changes without precise image alignment. For more accurate object matching, we propose an epipolar-guided deep graph matching network (EGMNet), which incorporates the epipolar constraint into the deep graph matching layer used in OBJCDNet. To evaluate our networks robustness against viewpoint differences, we created synthetic and real datasets for scene change detection from an image pair. The experimental results verified the effectiveness of our network.
Recent implicit neural rendering methods have demonstrated that it is possible to learn accurate view synthesis for complex scenes by predicting their volumetric density and color supervised solely by a set of RGB images. However, existing methods are restricted to learning efficient representations of static scenes that encode all scene objects into a single neural network, and lack the ability to represent dynamic scenes and decompositions into individual scene objects. In this work, we present the first neural rendering method that decomposes dynamic scenes into scene graphs. We propose a learned scene graph representation, which encodes object transformation and radiance, to efficiently render novel arrangements and views of the scene. To this end, we learn implicitly encoded scenes, combined with a jointly learned latent representation to describe objects with a single implicit function. We assess the proposed method on synthetic and real automotive data, validating that our approach learns dynamic scenes -- only by observing a video of this scene -- and allows for rendering novel photo-realistic views of novel scene compositions with unseen sets of objects at unseen poses.
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