Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userProcedural wood textures
328
0
0.0
(
0
)
Added by
Albert Liu
Publication date
2015
fields
Informatics Engineering
and research's language is
English
Ask ChatGPT about the research
No Arabic abstract
Existing bidirectional reflectance distribution function (BRDF) models are capable of capturing the distinctive highlights produced by the fibrous nature of wood. However, capturing parameter textures for even a single specimen remains a laborious process requiring specialized equipment. In this paper we take a procedural approach to generating parameters for the wood BSDF. We characterize the elements of trees that are important for the appearance of wood, discuss techniques appropriate for representing those features, and present a complete procedural wood shader capable of reproducing the growth patterns responsible for the distinctive appearance of highly prized ``figured wood. Our procedural wood shader is random-access, 3D, modular, and is fast enough to generate a preview for design.
rate research
Read More
Parquetry is the art and craft of decorating a surface with a pattern of differently colored veneers of wood, stone or other materials. Traditionally, the process of designing and making parquetry has been driven by color, using the texture found in real wood only for stylization or as a decorative effect. Here, we introduce a computational pipeline that draws from the rich natural structure of strongly textured real-world veneers as a source of detail in order to approximate a target image as faithfully as possible using a manageable number of parts. This challenge is closely related to the established problems of patch-based image synthesis and stylization in some ways, but fundamentally different in others. Most importantly, the limited availability of resources (any piece of wood can only be used once) turns the relatively simple problem of finding the right piece for the target location into the combinatorial problem of finding optimal parts while avoiding resource collisions. We introduce an algorithm that allows to efficiently solve an approximation to the problem. It further addresses challenges like gamut mapping, feature characterization and the search for fabricable cuts. We demonstrate the effectiveness of the system by fabricating a selection of photo-realistic pieces of parquetry from different kinds of unstained wood veneer.
In this paper, we address the following research problem: How can we generate a meaningful split grammar that explains a given facade layout? To evaluate if a grammar is meaningful, we propose a cost function based on the description length and minimize this cost using an approximate dynamic programming framework. Our evaluation indicates that our framework extracts meaningful split grammars that are competitive with those of expert users, while some users and all competing automatic solutions are less successful.
Repetitive patterns are ubiquitous in natural and human-made objects, and can be created with a variety of tools and methods. Manual authoring provides unmatched degree of freedom and control, but can require significant artistic expertise and manual labor. Computational methods can automate parts of the manual creation process, but are mainly tailored for discrete pixels or elements instead of more general continuous structures. We propose an example-based method to synthesize continuous curve patterns from exemplars. Our main idea is to extend prior sample-based discrete element synthesis methods to consider not only sample positions (geometry) but also their connections (topology). Since continuous structures can exhibit higher complexity than discrete elements, we also propose robust, hierarchical synthesis to enhance output quality. Our algorithm can generate a variety of continuous curve patterns fully automatically. For further quality improvement and customization, we also present an autocomplete user interface to facilitate interactive creation and iterative editing. We evaluate our methods and interface via different patterns, ablation studies, and comparisons with alternative methods.
Geometric model fitting is a fundamental task in computer graphics and computer vision. However, most geometric model fitting methods are unable to fit an arbitrary geometric model (e.g. a surface with holes) to incomplete data, due to that the similarity metrics used in these methods are unable to measure the rigid partial similarity between arbitrary models. This paper hence proposes a novel rigid geometric similarity metric, which is able to measure both the full similarity and the partial similarity between arbitrary geometric models. The proposed metric enables us to perform partial procedural geometric model fitting (PPGMF). The task of PPGMF is to search a procedural geometric model space for the model rigidly similar to a query of non-complete point set. Models in the procedural model space are generated according to a set of parametric modeling rules. A typical query is a point cloud. PPGMF is very useful as it can be used to fit arbitrary geometric models to non-complete (incomplete, over-complete or hybrid-complete) point cloud data. For example, most laser scanning data is non-complete due to occlusion. Our PPGMF method uses Markov chain Monte Carlo technique to optimize the proposed similarity metric over the model space. To accelerate the optimization process, the method also employs a novel coarse-to-fine model dividing strategy to reject dissimilar models in advance. Our method has been demonstrated on a variety of geometric models and non-complete data. Experimental results show that the PPGMF method based on the proposed metric is able to fit non-complete data, while the method based on other metrics is unable. It is also shown that our method can be accelerated by several times via early rejection.
The game and movie industries always face the challenge of reproducing materials. This problem is tackled by combining illumination models and various textures (painted or procedural patterns). Gnerating stochastic wall patterns is crucial in the creation of a wide range of backgrounds (castles, temples, ruins...). A specific Wang tile set was introduced previously to tackle this problem, in a non-procedural fashion. Long lines may appear as visual artifacts. We use this tile set in a new procedural algorithm to generate stochastic wall patterns. For this purpose, we introduce specific hash functions implementing a constrained Wang tiling. This technique makes possible the generation of boundless textures while giving control over the maximum line length. The algorithm is simple and easy to implement, and the wall structure we get from the tiles allows to achieve visuals that reproduce all the small details of artist painted walls.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
