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On the Sins of Image Synthesis Loss for Self-supervised Depth Estimation

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 Added by Zhaoshuo Li
 Publication date 2021
and research's language is English




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Scene depth estimation from stereo and monocular imagery is critical for extracting 3D information for downstream tasks such as scene understanding. Recently, learning-based methods for depth estimation have received much attention due to their high performance and flexibility in hardware choice. However, collecting ground truth data for supervised training of these algorithms is costly or outright impossible. This circumstance suggests a need for alternative learning approaches that do not require corresponding depth measurements. Indeed, self-supervised learning of depth estimation provides an increasingly popular alternative. It is based on the idea that observed frames can be synthesized from neighboring frames if accurate depth of the scene is known - or in this case, estimated. We show empirically that - contrary to common belief - improvements in image synthesis do not necessitate improvement in depth estimation. Rather, optimizing for image synthesis can result in diverging performance with respect to the main prediction objective - depth. We attribute this diverging phenomenon to aleatoric uncertainties, which originate from data. Based on our experiments on four datasets (spanning street, indoor, and medical) and five architectures (monocular and stereo), we conclude that this diverging phenomenon is independent of the dataset domain and not mitigated by commonly used regularization techniques. To underscore the importance of this finding, we include a survey of methods which use image synthesis, totaling 127 papers over the last six years. This observed divergence has not been previously reported or studied in depth, suggesting room for future improvement of self-supervised approaches which might be impacted the finding.

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In the recent years, many methods demonstrated the ability of neural networks tolearn depth and pose changes in a sequence of images, using only self-supervision as thetraining signal. Whilst the networks achieve good performance, the often over-lookeddetail is that due to the inherent ambiguity of monocular vision they predict depth up to aunknown scaling factor. The scaling factor is then typically obtained from the LiDARground truth at test time, which severely limits practical applications of these methods.In this paper, we show that incorporating prior information about the camera configu-ration and the environment, we can remove the scale ambiguity and predict depth directly,still using the self-supervised formulation and not relying on any additional sensors.
Imagining a colored realistic image from an arbitrarily drawn sketch is one of the human capabilities that we eager machines to mimic. Unlike previous methods that either requires the sketch-image pairs or utilize low-quantity detected edges as sketches, we study the exemplar-based sketch-to-image (s2i) synthesis task in a self-supervised learning manner, eliminating the necessity of the paired sketch data. To this end, we first propose an unsupervised method to efficiently synthesize line-sketches for general RGB-only datasets. With the synthetic paired-data, we then present a self-supervised Auto-Encoder (AE) to decouple the content/style features from sketches and RGB-images, and synthesize images that are both content-faithful to the sketches and style-consistent to the RGB-images. While prior works employ either the cycle-consistence loss or dedicated attentional modules to enforce the content/style fidelity, we show AEs superior performance with pure self-supervisions. To further improve the synthesis quality in high resolution, we also leverage an adversarial network to refine the details of synthetic images. Extensive experiments on 1024*1024 resolution demonstrate a new state-of-art-art performance of the proposed model on CelebA-HQ and Wiki-Art datasets. Moreover, with the proposed sketch generator, the model shows a promising performance on style mixing and style transfer, which require synthesized images to be both style-consistent and semantically meaningful. Our code is available on https://github.com/odegeasslbc/Self-Supervised-Sketch-to-Image-Synthesis-PyTorch, and please visit https://create.playform.io/my-projects?mode=sketch for an online demo of our model.
We present a generalised self-supervised learning approach for monocular estimation of the real depth across scenes with diverse depth ranges from 1--100s of meters. Existing supervised methods for monocular depth estimation require accurate depth measurements for training. This limitation has led to the introduction of self-supervised methods that are trained on stereo image pairs with a fixed camera baseline to estimate disparity which is transformed to depth given known calibration. Self-supervised approaches have demonstrated impressive results but do not generalise to scenes with different depth ranges or camera baselines. In this paper, we introduce RealMonoDepth a self-supervised monocular depth estimation approach which learns to estimate the real scene depth for a diverse range of indoor and outdoor scenes. A novel loss function with respect to the true scene depth based on relative depth scaling and warping is proposed. This allows self-supervised training of a single network with multiple data sets for scenes with diverse depth ranges from both stereo pair and in the wild moving camera data sets. A comprehensive performance evaluation across five benchmark data sets demonstrates that RealMonoDepth provides a single trained network which generalises depth estimation across indoor and outdoor scenes, consistently outperforming previous self-supervised approaches.
Photometric loss is widely used for self-supervised depth and egomotion estimation. However, the loss landscapes induced by photometric differences are often problematic for optimization, caused by plateau landscapes for pixels in textureless regions or multiple local minima for less discriminative pixels. In this work, feature-metric loss is proposed and defined on feature representation, where the feature representation is also learned in a self-supervised manner and regularized by both first-order and second-order derivatives to constrain the loss landscapes to form proper convergence basins. Comprehensive experiments and detailed analysis via visualization demonstrate the effectiveness of the proposed feature-metric loss. In particular, our method improves state-of-the-art methods on KITTI from 0.885 to 0.925 measured by $delta_1$ for depth estimation, and significantly outperforms previous method for visual odometry.
We tackle the problem of unsupervised synthetic-to-realistic domain adaptation for single image depth estimation. An essential building block of single image depth estimation is an encoder-decoder task network that takes RGB images as input and produces depth maps as output. In this paper, we propose a novel training strategy to force the task network to learn domain invariant representations in a self-supervised manner. Specifically, we extend self-supervised learning from traditional representation learning, which works on images from a single domain, to domain invariant representation learning, which works on images from two different domains by utilizing an image-to-image translation network. Firstly, we use our bidirectional image-to-image translation network to transfer domain-specific styles between synthetic and real domains. This style transfer operation allows us to obtain similar images from the different domains. Secondly, we jointly train our task network and Siamese network with the same images from the different domains to obtain domain invariance for the task network. Finally, we fine-tune the task network using labeled synthetic and unlabeled real-world data. Our training strategy yields improved generalization capability in the real-world domain. We carry out an extensive evaluation on two popular datasets for depth estimation, KITTI and Make3D. The results demonstrate that our proposed method outperforms the state-of-the-art both qualitatively and quantitatively. The source code and model weights will be made available.
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