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Register a new userMovieCuts: A New Dataset and Benchmark for Cut Type Recognition
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Added by
Alejandro Pardo
Publication date
2021
fields
Informatics Engineering
and research's language is
English
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Understanding movies and their structural patterns is a crucial task to decode the craft of video editing. While previous works have developed tools for general analysis such as detecting characters or recognizing cinematography properties at the shot level, less effort has been devoted to understanding the most basic video edit, the Cut. This paper introduces the cut type recognition task, which requires modeling of multi-modal information. To ignite research in the new task, we construct a large-scale dataset called MovieCuts, which contains more than 170K videoclips labeled among ten cut types. We benchmark a series of audio-visual approaches, including some that deal with the problems multi-modal and multi-label nature. Our best model achieves 45.7% mAP, which suggests that the task is challenging and that attaining highly accurate cut type recognition is an open research problem.
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While image retrieval and instance recognition techniques are progressing rapidly, there is a need for challenging datasets to accurately measure their performance -- while posing novel challenges that are relevant for practical applications. We introduce the Google Landmarks Dataset v2 (GLDv2), a new benchmark for large-scale, fine-grained instance recognition and image retrieval in the domain of human-made and natural landmarks. GLDv2 is the largest such dataset to date by a large margin, including over 5M images and 200k distinct instance labels. Its test set consists of 118k images with ground truth annotations for both the retrieval and recognition tasks. The ground truth construction involved over 800 hours of human annotator work. Our new dataset has several challenging properties inspired by real world applications that previous datasets did not consider: An extremely long-tailed class distribution, a large fraction of out-of-domain test photos and large intra-class variability. The dataset is sourced from Wikimedia Commons, the worlds largest crowdsourced collection of landmark photos. We provide baseline results for both recognition and retrieval tasks based on state-of-the-art methods as well as competitive results from a public challenge. We further demonstrate the suitability of the dataset for transfer learning by showing that image embeddings trained on it achieve competitive retrieval performance on independent datasets. The dataset images, ground-truth and metric scoring code are available at https://github.com/cvdfoundation/google-landmark.
Visual data collected from Unmanned Aerial Vehicles (UAVs) has opened a new frontier of computer vision that requires automated analysis of aerial images/videos. However, the existing UAV datasets primarily focus on object detection. An object detector does not differentiate between the moving and non-moving objects. Given a real-time UAV video stream, how can we both localize and classify the moving objects, i.e. perform moving object recognition (MOR)? The MOR is one of the essential tasks to support various UAV vision-based applications including aerial surveillance, search and rescue, event recognition, urban and rural scene understanding.To the best of our knowledge, no labeled dataset is available for MOR evaluation in UAV videos. Therefore, in this paper, we introduce MOR-UAV, a large-scale video dataset for MOR in aerial videos. We achieve this by labeling axis-aligned bounding boxes for moving objects which requires less computational resources than producing pixel-level estimates. We annotate 89,783 moving object instances collected from 30 UAV videos, consisting of 10,948 frames in various scenarios such as weather conditions, occlusion, changing flying altitude and multiple camera views. We assigned the labels for two categories of vehicles (car and heavy vehicle). Furthermore, we propose a deep unified framework MOR-UAVNet for MOR in UAV videos. Since, this is a first attempt for MOR in UAV videos, we present 16 baseline results based on the proposed framework over the MOR-UAV dataset through quantitative and qualitative experiments. We also analyze the motion-salient regions in the network through multiple layer visualizations. The MOR-UAVNet works online at inference as it requires only few past frames. Moreover, it doesnt require predefined target initialization from user. Experiments also demonstrate that the MOR-UAV dataset is quite challenging.
The existing face recognition datasets usually lack occlusion samples, which hinders the development of face recognition. Especially during the COVID-19 coronavirus epidemic, wearing a mask has become an effective means of preventing the virus spread. Traditional CNN-based face recognition models trained on existing datasets are almost ineffective for heavy occlusion. To this end, we pioneer a simulated occlusion face recognition dataset. In particular, we first collect a variety of glasses and masks as occlusion, and randomly combine the occlusion attributes (occlusion objects, textures,and colors) to achieve a large number of more realistic occlusion types. We then cover them in the proper position of the face image with the normal occlusion habit. Furthermore, we reasonably combine original normal face images and occluded face images to form our final dataset, termed as Webface-OCC. It covers 804,704 face images of 10,575 subjects, with diverse occlusion types to ensure its diversity and stability. Extensive experiments on public datasets show that the ArcFace retrained by our dataset significantly outperforms the state-of-the-arts. Webface-OCC is available at https://github.com/Baojin-Huang/Webface-OCC.
Aerial scene recognition is a fundamental research problem in interpreting high-resolution aerial imagery. Over the past few years, most studies focus on classifying an image into one scene category, while in real-world scenarios, it is more often that a single image contains multiple scenes. Therefore, in this paper, we investigate a more practical yet underexplored task -- multi-scene recognition in single images. To this end, we create a large-scale dataset, called MultiScene, composed of 100,000 unconstrained high-resolution aerial images. Considering that manually labeling such images is extremely arduous, we resort to low-cost annotations from crowdsourcing platforms, e.g., OpenStreetMap (OSM). However, OSM data might suffer from incompleteness and incorrectness, which introduce noise into image labels. To address this issue, we visually inspect 14,000 images and correct their scene labels, yielding a subset of cleanly-annotated images, named MultiScene-Clean. With it, we can develop and evaluate deep networks for multi-scene recognition using clean data. Moreover, we provide crowdsourced annotations of all images for the purpose of studying network learning with noisy labels. We conduct experiments with extensive baseline models on both MultiScene-Clean and MultiScene to offer benchmarks for multi-scene recognition in single images and learning from noisy labels for this task, respectively. To facilitate progress, we make our dataset and trained models available on https://gitlab.lrz.de/ai4eo/reasoning/multiscene.
Speech emotion recognition is a vital contributor to the next generation of human-computer interaction (HCI). However, current existing small-scale databases have limited the development of related research. In this paper, we present LSSED, a challenging large-scale english speech emotion dataset, which has data collected from 820 subjects to simulate real-world distribution. In addition, we release some pre-trained models based on LSSED, which can not only promote the development of speech emotion recognition, but can also be transferred to related downstream tasks such as mental health analysis where data is extremely difficult to collect. Finally, our experiments show the necessity of large-scale datasets and the effectiveness of pre-trained models. The dateset will be released on https://github.com/tobefans/LSSED.
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