No Arabic abstract
3D perception of object shapes from RGB image input is fundamental towards semantic scene understanding, grounding image-based perception in our spatially 3-dimensional real-world environments. To achieve a mapping between image views of objects and 3D shapes, we leverage CAD model priors from existing large-scale databases, and propose a novel approach towards constructing a joint embedding space between 2D images and 3D CAD models in a patch-wise fashion -- establishing correspondences between patches of an image view of an object and patches of CAD geometry. This enables part similarity reasoning for retrieving similar CADs to a new image view without exact matches in the database. Our patch embedding provides more robust CAD retrieval for shape estimation in our end-to-end estimation of CAD model shape and pose for detected objects in a single input image. Experiments on in-the-wild, complex imagery from ScanNet show that our approach is more robust than state of the art in real-world scenarios without any exact CAD matches.
In this paper, we consider the problem to automatically reconstruct garment and body shapes from a single near-front view RGB image. To this end, we propose a layered garment representation on top of SMPL and novelly make the skinning weight of garment independent of the body mesh, which significantly improves the expression ability of our garment model. Compared with existing methods, our method can support more garment categories and recover more accurate geometry. To train our model, we construct two large scale datasets with ground truth body and garment geometries as well as paired color images. Compared with single mesh or non-parametric representation, our method can achieve more flexible control with separate meshes, makes applications like re-pose, garment transfer, and garment texture mapping possible. Code and some data is available at https://github.com/jby1993/BCNet.
Despite significant progress in monocular depth estimation in the wild, recent state-of-the-art methods cannot be used to recover accurate 3D scene shape due to an unknown depth shift induced by shift-invariant reconstruction losses used in mixed-data depth prediction training, and possible unknown camera focal length. We investigate this problem in detail, and propose a two-stage framework that first predicts depth up to an unknown scale and shift from a single monocular image, and then use 3D point cloud encoders to predict the missing depth shift and focal length that allow us to recover a realistic 3D scene shape. In addition, we propose an image-level normalized regression loss and a normal-based geometry loss to enhance depth prediction models trained on mixed datasets. We test our depth model on nine unseen datasets and achieve state-of-the-art performance on zero-shot dataset generalization. Code is available at: https://git.io/Depth
We present a new pose transfer method for synthesizing a human animation from a single image of a person controlled by a sequence of body poses. Existing pose transfer methods exhibit significant visual artifacts when applying to a novel scene, resulting in temporal inconsistency and failures in preserving the identity and textures of the person. To address these limitations, we design a compositional neural network that predicts the silhouette, garment labels, and textures. Each modular network is explicitly dedicated to a subtask that can be learned from the synthetic data. At the inference time, we utilize the trained network to produce a unified representation of appearance and its labels in UV coordinates, which remains constant across poses. The unified representation provides an incomplete yet strong guidance to generating the appearance in response to the pose change. We use the trained network to complete the appearance and render it with the background. With these strategies, we are able to synthesize human animations that can preserve the identity and appearance of the person in a temporally coherent way without any fine-tuning of the network on the testing scene. Experiments show that our method outperforms the state-of-the-arts in terms of synthesis quality, temporal coherence, and generalization ability.
It is widely acknowledged that learning joint embeddings of recipes with images is challenging due to the diverse composition and deformation of ingredients in cooking procedures. We present a Multi-modal Semantics enhanced Joint Embedding approach (MSJE) for learning a common feature space between the two modalities (text and image), with the ultimate goal of providing high-performance cross-modal retrieval services. Our MSJE approach has three unique features. First, we extract the TFIDF feature from the title, ingredients and cooking instructions of recipes. By determining the significance of word sequences through combining LSTM learned features with their TFIDF features, we encode a recipe into a TFIDF weighted vector for capturing significant key terms and how such key terms are used in the corresponding cooking instructions. Second, we combine the recipe TFIDF feature with the recipe sequence feature extracted through two-stage LSTM networks, which is effective in capturing the unique relationship between a recipe and its associated image(s). Third, we further incorporate TFIDF enhanced category semantics to improve the mapping of image modality and to regulate the similarity loss function during the iterative learning of cross-modal joint embedding. Experiments on the benchmark dataset Recipe1M show the proposed approach outperforms the state-of-the-art approaches.
We present a method that infers spatial arrangements and shapes of humans and objects in a globally consistent 3D scene, all from a single image in-the-wild captured in an uncontrolled environment. Notably, our method runs on datasets without any scene- or object-level 3D supervision. Our key insight is that considering humans and objects jointly gives rise to 3D common sense constraints that can be used to resolve ambiguity. In particular, we introduce a scale loss that learns the distribution of object size from data; an occlusion-aware silhouette re-projection loss to optimize object pose; and a human-object interaction loss to capture the spatial layout of objects with which humans interact. We empirically validate that our constraints dramatically reduce the space of likely 3D spatial configurations. We demonstrate our approach on challenging, in-the-wild images of humans interacting with large objects (such as bicycles, motorcycles, and surfboards) and handheld objects (such as laptops, tennis rackets, and skateboards). We quantify the ability of our approach to recover human-object arrangements and outline remaining challenges in this relatively domain. The project webpage can be found at https://jasonyzhang.com/phosa.