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Register a new userSequence-to-Sequence Piano Transcription with Transformers
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Added by
Curtis Hawthorne
Publication date
2021
fields
Informatics Engineering
and research's language is
English
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Automatic Music Transcription has seen significant progress in recent years by training custom deep neural networks on large datasets. However, these models have required extensive domain-specific design of network architectures, input/output representations, and complex decoding schemes. In this work, we show that equivalent performance can be achieved using a generic encoder-decoder Transformer with standard decoding methods. We demonstrate that the model can learn to translate spectrogram inputs directly to MIDI-like output events for several transcription tasks. This sequence-to-sequence approach simplifies transcription by jointly modeling audio features and language-like output dependencies, thus removing the need for task-specific architectures. These results point toward possibilities for creating new Music Information Retrieval models by focusing on dataset creation and labeling rather than custom model design.
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This paper proposes a novel voice conversion (VC) method based on non-autoregressive sequence-to-sequence (NAR-S2S) models. Inspired by the great success of NAR-S2S models such as FastSpeech in text-to-speech (TTS), we extend the FastSpeech2 model for the VC problem. We introduce the convolution-augmented Transformer (Conformer) instead of the Transformer, making it possible to capture both local and global context information from the input sequence. Furthermore, we extend variance predictors to variance converters to explicitly convert the source speakers prosody components such as pitch and energy into the target speaker. The experimental evaluation with the Japanese speaker dataset, which consists of male and female speakers of 1,000 utterances, demonstrates that the proposed model enables us to perform more stable, faster, and better conversion than autoregressive S2S (AR-S2S) models such as Tacotron2 and Transformer.
Silent Speech Decoding (SSD) based on Surface electromyography (sEMG) has become a prevalent task in recent years. Though revolutions have been proposed to decode sEMG to audio successfully, some problems still remain. In this paper, we propose an optimized sequence-to-sequence (Seq2Seq) approach to synthesize voice from subvocal sEMG. Both subvocal and vocal sEMG are collected and preprocessed to provide data information. Then, we extract durations from the alignment between subvocal and vocal signals to regulate the subvocal sEMG following audio length. Besides, we use phoneme classification and vocal sEMG reconstruction modules to improve the model performance. Finally, experiments on a Mandarin speaker dataset, which consists of 6.49 hours of data, demonstrate that the proposed model improves the mapping accuracy and voice quality of reconstructed voice.
We explore models for translating abstract musical ideas (scores, rhythms) into expressive performances using Seq2Seq and recurrent Variational Information Bottleneck (VIB) models. Though Seq2Seq models usually require painstakingly aligned corpora, we show that it is possible to adapt an approach from the Generative Adversarial Network (GAN) literature (e.g. Pix2Pix (Isola et al., 2017) and Vid2Vid (Wang et al. 2018a)) to sequences, creating large volumes of paired data by performing simple transformations and training generative models to plausibly invert these transformations. Music, and drumming in particular, provides a strong test case for this approach because many common transformations (quantization, removing voices) have clear semantics, and models for learning to invert them have real-world applications. Focusing on the case of drum set players, we create and release a new dataset for this purpose, containing over 13 hours of recordings by professional drummers aligned with fine-grained timing and dynamics information. We also explore some of the creative potential of these models, including demonstrating improvements on state-of-the-art methods for Humanization (instantiating a performance from a musical score).
Most of the state-of-the-art automatic music transcription (AMT) models break down the main transcription task into sub-tasks such as onset prediction and offset prediction and train them with onset and offset labels. These predictions are then concatenated together and used as the input to train another model with the pitch labels to obtain the final transcription. We attempt to use only the pitch labels (together with spectrogram reconstruction loss) and explore how far this model can go without introducing supervised sub-tasks. In this paper, we do not aim at achieving state-of-the-art transcription accuracy, instead, we explore the effect that spectrogram reconstruction has on our AMT model. Our proposed model consists of two U-nets: the first U-net transcribes the spectrogram into a posteriorgram, and a second U-net transforms the posteriorgram back into a spectrogram. A reconstruction loss is applied between the original spectrogram and the reconstructed spectrogram to constrain the second U-net to focus only on reconstruction. We train our model on three different datasets: MAPS, MAESTRO, and MusicNet. Our experiments show that adding the reconstruction loss can generally improve the note-level transcription accuracy when compared to the same model without the reconstruction part. Moreover, it can also boost the frame-level precision to be higher than the state-of-the-art models. The feature maps learned by our U-net contain gridlike structures (not present in the baseline model) which implies that with the presence of the reconstruction loss, the model is probably trying to count along both the time and frequency axis, resulting in a higher note-level transcription accuracy.
The vector representations of fixed dimensionality for words (in text) offered by Word2Vec have been shown to be very useful in many application scenarios, in particular due to the semantic information they carry. This paper proposes a parallel version, the Audio Word2Vec. It offers the vector representations of fixed dimensionality for variable-length audio segments. These vector representations are shown to describe the sequential phonetic structures of the audio segments to a good degree, with very attractive real world applications such as query-by-example Spoken Term Detection (STD). In this STD application, the proposed approach significantly outperformed the conventional Dynamic Time Warping (DTW) based approaches at significantly lower computation requirements. We propose unsupervised learning of Audio Word2Vec from audio data without human annotation using Sequence-to-sequence Audoencoder (SA). SA consists of two RNNs equipped with Long Short-Term Memory (LSTM) units: the first RNN (encoder) maps the input audio sequence into a vector representation of fixed dimensionality, and the second RNN (decoder) maps the representation back to the input audio sequence. The two RNNs are jointly trained by minimizing the reconstruction error. Denoising Sequence-to-sequence Autoencoder (DSA) is furthered proposed offering more robust learning.
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