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Register a new userCAMS: Color-Aware Multi-Style Transfer
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Added by
Mahmoud Afifi
Publication date
2021
fields
Informatics Engineering
and research's language is
English
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Image style transfer aims to manipulate the appearance of a source image, or content image, to share similar texture and colors of a target style image. Ideally, the style transfer manipulation should also preserve the semantic content of the source image. A commonly used approach to assist in transferring styles is based on Gram matrix optimization. One problem of Gram matrix-based optimization is that it does not consider the correlation between colors and their styles. Specifically, certain textures or structures should be associated with specific colors. This is particularly challenging when the target style image exhibits multiple style types. In this work, we propose a color-aware multi-style transfer method that generates aesthetically pleasing results while preserving the style-color correlation between style and generated images. We achieve this desired outcome by introducing a simple but efficient modification to classic Gram matrix-based style transfer optimization. A nice feature of our method is that it enables the users to manually select the color associations between the target style and content image for more transfer flexibility. We validated our method with several qualitative comparisons, including a user study conducted with 30 participants. In comparison with prior work, our method is simple, easy to implement, and achieves visually appealing results when targeting images that have multiple styles. Source code is available at https://github.com/mahmoudnafifi/color-aware-style-transfer.
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This paper presents a content-aware style transfer algorithm for paintings and photos of similar content using pre-trained neural network, obtaining better results than the previous work. In addition, the numerical experiments show that the style pattern and the content information is not completely separated by neural network.
Style transfer aims to reproduce content images with the styles from reference images. Existing universal style transfer methods successfully deliver arbitrary styles to original images either in an artistic or a photo-realistic way. However, the range of arbitrary style defined by existing works is bounded in the particular domain due to their structural limitation. Specifically, the degrees of content preservation and stylization are established according to a predefined target domain. As a result, both photo-realistic and artistic models have difficulty in performing the desired style transfer for the other domain. To overcome this limitation, we propose a unified architecture, Domain-aware Style Transfer Networks (DSTN) that transfer not only the style but also the property of domain (i.e., domainness) from a given reference image. To this end, we design a novel domainness indicator that captures the domainness value from the texture and structural features of reference images. Moreover, we introduce a unified framework with domain-aware skip connection to adaptively transfer the stroke and palette to the input contents guided by the domainness indicator. Our extensive experiments validate that our model produces better qualitative results and outperforms previous methods in terms of proxy metrics on both artistic and photo-realistic stylizations.
Neural Style Transfer (NST) has quickly evolved from single-style to infinite-style models, also known as Arbitrary Style Transfer (AST). Although appealing results have been widely reported in literature, our empirical studies on four well-known AST approaches (GoogleMagenta, AdaIN, LinearTransfer, and SANet) show that more than 50% of the time, AST stylized images are not acceptable to human users, typically due to under- or over-stylization. We systematically study the cause of this imbalanced style transferability (IST) and propose a simple yet effective solution to mitigate this issue. Our studies show that the IST issue is related to the conventional AST style loss, and reveal that the root cause is the equal weightage of training samples irrespective of the properties of their corresponding style images, which biases the model towards certain styles. Through investigation of the theoretical bounds of the AST style loss, we propose a new loss that largely overcomes IST. Theoretical analysis and experimental results validate the effectiveness of our loss, with over 80% relative improvement in style deception rate and 98% relatively higher preference in human evaluation.
This note presents an extension to the neural artistic style transfer algorithm (Gatys et al.). The original algorithm transforms an image to have the style of another given image. For example, a photograph can be transformed to have the style of a famous painting. Here we address a potential shortcoming of the original method: the algorithm transfers the colors of the original painting, which can alter the appearance of the scene in undesirable ways. We describe simple linear methods for transferring style while preserving colors.
Recently, style transfer has received a lot of attention. While much of this research has aimed at speeding up processing, the approaches are still lacking from a principled, art historical standpoint: a style is more than just a single image or an artist, but previous work is limited to only a single instance of a style or shows no benefit from more images. Moreover, previous work has relied on a direct comparison of art in the domain of RGB images or on CNNs pre-trained on ImageNet, which requires millions of labeled object bounding boxes and can introduce an extra bias, since it has been assembled without artistic consideration. To circumvent these issues, we propose a style-aware content loss, which is trained jointly with a deep encoder-decoder network for real-time, high-resolution stylization of images and videos. We propose a quantitative measure for evaluating the quality of a stylized image and also have art historians rank patches from our approach against those from previous work. These and our qualitative results ranging from small image patches to megapixel stylistic images and videos show that our approach better captures the subtle nature in which a style affects content.
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