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Although recent works on neural vocoder have improved the quality of synthesized audio, there still exists a gap between generated and ground-truth audio in frequency space. This difference leads to spectral artifacts such as hissing noise or reverberation, and thus degrades the sample quality. In this paper, we propose Fre-GAN which achieves frequency-consistent audio synthesis with highly improved generation quality. Specifically, we first present resolution-connected generator and resolution-wise discriminators, which help learn various scales of spectral distributions over multiple frequency bands. Additionally, to reproduce high-frequency components accurately, we leverage discrete wavelet transform in the discriminators. From our experiments, Fre-GAN achieves high-fidelity waveform generation with a gap of only 0.03 MOS compared to ground-truth audio while outperforming standard models in quality.
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In this paper, we compare different audio signal representations, including the raw audio waveform and a variety of time-frequency representations, for the task of audio synthesis with Generative Adversarial Networks (GANs). We conduct the experiments on a subset of the NSynth dataset. The architecture follows the benchmark Progressive Growing Wasserstein GAN. We perform experiments both in a fully non-conditional manner as well as conditioning the network on the pitch information. We quantitatively evaluate the generated material utilizing standard metrics for assessing generative models, and compare training and sampling times. We show that complex-valued as well as the magnitude and Instantaneous Frequency of the Short-Time Fourier Transform achieve the best results, and yield fast generation and inversion times. The code for feature extraction, training and evaluating the model is available online.
Efficient audio synthesis is an inherently difficult machine learning task, as human perception is sensitive to both global structure and fine-scale waveform coherence. Autoregressive models, such as WaveNet, model local structure at the expense of global latent structure and slow iterative sampling, while Generative Adversarial Networks (GANs), have global latent conditioning and efficient parallel sampling, but struggle to generate locally-coherent audio waveforms. Herein, we demonstrate that GANs can in fact generate high-fidelity and locally-coherent audio by modeling log magnitudes and instantaneous frequencies with sufficient frequency resolution in the spectral domain. Through extensive empirical investigations on the NSynth dataset, we demonstrate that GANs are able to outperform strong WaveNet baselines on automated and human evaluation metrics, and efficiently generate audio several orders of magnitude faster than their autoregressive counterparts.
Recent advances in neural network -based text-to-speech have reached human level naturalness in synthetic speech. The present sequence-to-sequence models can directly map text to mel-spectrogram acoustic features, which are convenient for modeling, but present additional challenges for vocoding (i.e., waveform generation from the acoustic features). High-quality synthesis can be achieved with neural vocoders, such as WaveNet, but such autoregressive models suffer from slow sequential inference. Meanwhile, their existing parallel inference counterparts are difficult to train and require increasingly large model sizes. In this paper, we propose an alternative training strategy for a parallel neural vocoder utilizing generative adversarial networks, and integrate a linear predictive synthesis filter into the model. Results show that the proposed model achieves significant improvement in inference speed, while outperforming a WaveNet in copy-synthesis quality.
With the development of deep learning and artificial intelligence, audio synthesis has a pivotal role in the area of machine learning and shows strong applicability in the industry. Meanwhile, significant efforts have been dedicated by researchers to handle multimodal tasks at present such as audio-visual multimodal processing. In this paper, we conduct a survey on audio synthesis and audio-visual multimodal processing, which helps understand current research and future trends. This review focuses on text to speech(TTS), music generation and some tasks that combine visual and acoustic information. The corresponding technical methods are comprehensively classified and introduced, and their future development trends are prospected. This survey can provide some guidance for researchers who are interested in the areas like audio synthesis and audio-visual multimodal processing.
Influenced by the field of Computer Vision, Generative Adversarial Networks (GANs) are often adopted for the audio domain using fixed-size two-dimensional spectrogram representations as the image data. However, in the (musical) audio domain, it is often desired to generate output of variable duration. This paper presents VQCPC-GAN, an adversarial framework for synthesizing variable-length audio by exploiting Vector-Quantized Contrastive Predictive Coding (VQCPC). A sequence of VQCPC tokens extracted from real audio data serves as conditional input to a GAN architecture, providing step-wise time-dependent features of the generated content. The input noise z (characteristic in adversarial architectures) remains fixed over time, ensuring temporal consistency of global features. We evaluate the proposed model by comparing a diverse set of metrics against various strong baselines. Results show that, even though the baselines score best, VQCPC-GAN achieves comparable performance even when generating variable-length audio. Numerous sound examples are provided in the accompanying website, and we release the code for reproducibility.
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