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Register a new userUnified Source-Filter GAN: Unified Source-filter Network Based On Factorization of Quasi-Periodic Parallel WaveGAN
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Added by
Reo Yoneyama
Publication date
2021
fields
Informatics Engineering
and research's language is
English
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We propose a unified approach to data-driven source-filter modeling using a single neural network for developing a neural vocoder capable of generating high-quality synthetic speech waveforms while retaining flexibility of the source-filter model to control their voice characteristics. Our proposed network called unified source-filter generative adversarial networks (uSFGAN) is developed by factorizing quasi-periodic parallel WaveGAN (QPPWG), one of the neural vocoders based on a single neural network, into a source excitation generation network and a vocal tract resonance filtering network by additionally implementing a regularization loss. Moreover, inspired by neural source filter (NSF), only a sinusoidal waveform is additionally used as the simplest clue to generate a periodic source excitation waveform while minimizing the effect of approximations in the source filter model. The experimental results demonstrate that uSFGAN outperforms conventional neural vocoders, such as QPPWG and NSF in both speech quality and pitch controllability.
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Recent deep learning approaches have shown great improvement in audio source separation tasks. However, the vast majority of such work is focused on improving average separation performance, often neglecting to examine or control the distribution of the results. In this paper, we propose a simple, unified gradient reweighting scheme, with a lightweight modification to bias the learning process of a model and steer it towards a certain distribution of results. More specifically, we reweight the gradient updates of each batch, using a user-specified probability distribution. We apply this method to various source separation tasks, in order to shift the operating point of the models towards different objectives. We demonstrate different parameterizations of our unified reweighting scheme can be used towards addressing several real-world problems, such as unreliable separation estimates. Our framework enables the user to control a robustness trade-off between worst and average performance. Moreover, we experimentally show that our unified reweighting scheme can also be used in order to shift the focus of the model towards being more accurate for user-specified sound classes or even towards easier examples in order to enable faster convergence.
We propose a unified model for three inter-related tasks: 1) to textit{separate} individual sound sources from a mixed music audio, 2) to textit{transcribe} each sound source to MIDI notes, and 3) totextit{ synthesize} new pieces based on the timbre of separated sources. The model is inspired by the fact that when humans listen to music, our minds can not only separate the sounds of different instruments, but also at the same time perceive high-level representations such as score and timbre. To mirror such capability computationally, we designed a pitch-timbre disentanglement module based on a popular encoder-decoder neural architecture for source separation. The key inductive biases are vector-quantization for pitch representation and pitch-transformation invariant for timbre representation. In addition, we adopted a query-by-example method to achieve textit{zero-shot} learning, i.e., the model is capable of doing source separation, transcription, and synthesis for textit{unseen} instruments. The current design focuses on audio mixtures of two monophonic instruments. Experimental results show that our model outperforms existing multi-task baselines, and the transcribed score serves as a powerful auxiliary for separation tasks.
This paper presents an unsupervised method that trains neural source separation by using only multichannel mixture signals. Conventional neural separation methods require a lot of supervised data to achieve excellent performance. Although multichannel methods based on spatial information can work without such training data, they are often sensitive to parameter initialization and degraded with the sources located close to each other. The proposed method uses a cost function based on a spatial model called a complex Gaussian mixture model (cGMM). This model has the time-frequency (TF) masks and direction of arrivals (DoAs) of sources as latent variables and is used for training separation and localization networks that respectively estimate these variables. This joint training solves the frequency permutation ambiguity of the spatial model in a unified deep Bayesian framework. In addition, the pre-trained network can be used not only for conducting monaural separation but also for efficiently initializing a multichannel separation algorithm. Experimental results with simulated speech mixtures showed that our method outperformed a conventional initialization method.
Music source separation with deep neural networks typically relies only on amplitude features. In this paper we show that additional phase features can improve the separation performance. Using the theoretical relationship between STFT phase and amplitude, we conjecture that derivatives of the phase are a good feature representation opposed to the raw phase. We verify this conjecture experimentally and propose a new DNN architecture which combines amplitude and phase. This joint approach achieves a better signal-to distortion ratio on the DSD100 dataset for all instruments compared to a network that uses only amplitude features. Especially, the bass instrument benefits from the phase information.
Speech signals are complex composites of various information, including phonetic content, speaker traits, channel effect, etc. Decomposing this complicated mixture into independent factors, i.e., speech factorization, is fundamentally important and plays the central role in many important algorithms of modern speech processing tasks. In this paper, we present a preliminary investigation on unsupervised speech factorization based on the normalization flow model. This model constructs a complex invertible transform, by which we can project speech segments into a latent code space where the distribution is a simple diagonal Gaussian. Our preliminary investigation on the TIMIT database shows that this code space exhibits favorable properties such as denseness and pseudo linearity, and perceptually important factors such as phonetic content and speaker trait can be represented as particular directions within the code space.
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