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Register a new userLearning to Predict Salient Faces: A Novel Visual-Audio Saliency Model
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Added by
Yufan Liu
Publication date
2021
fields
Informatics Engineering
and research's language is
English
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Recently, video streams have occupied a large proportion of Internet traffic, most of which contain human faces. Hence, it is necessary to predict saliency on multiple-face videos, which can provide attention cues for many content based applications. However, most of multiple-face saliency prediction works only consider visual information and ignore audio, which is not consistent with the naturalistic scenarios. Several behavioral studies have established that sound influences human attention, especially during the speech turn-taking in multiple-face videos. In this paper, we thoroughly investigate such influences by establishing a large-scale eye-tracking database of Multiple-face Video in Visual-Audio condition (MVVA). Inspired by the findings of our investigation, we propose a novel multi-modal video saliency model consisting of three branches: visual, audio and face. The visual branch takes the RGB frames as the input and encodes them into visual feature maps. The audio and face branches encode the audio signal and multiple cropped faces, respectively. A fusion module is introduced to integrate the information from three modalities, and to generate the final saliency map. Experimental results show that the proposed method outperforms 11 state-of-the-art saliency prediction works. It performs closer to human multi-modal attention.
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This paper studies audio-visual deep saliency prediction. It introduces a conceptually simple and effective Deep Audio-Visual Embedding for dynamic saliency prediction dubbed ``DAVE in conjunction with our efforts towards building an Audio-Visual Eye-tracking corpus named ``AVE. Despite existing a strong relation between auditory and visual cues for guiding gaze during perception, video saliency models only consider visual cues and neglect the auditory information that is ubiquitous in dynamic scenes. Here, we investigate the applicability of audio cues in conjunction with visual ones in predicting saliency maps using deep neural networks. To this end, the proposed model is intentionally designed to be simple. Two baseline models are developed on the same architecture which consists of an encoder-decoder. The encoder projects the input into a feature space followed by a decoder that infers saliency. We conduct an extensive analysis on different modalities and various aspects of multi-model dynamic saliency prediction. Our results suggest that (1) audio is a strong contributing cue for saliency prediction, (2) salient visible sound-source is the natural cause of the superiority of our Audio-Visual model, (3) richer feature representations for the input space leads to more powerful predictions even in absence of more sophisticated saliency decoders, and (4) Audio-Visual model improves over 53.54% of the frames predicted by the best Visual model (our baseline). Our endeavour demonstrates that audio is an important cue that boosts dynamic video saliency prediction and helps models to approach human performance. The code is available at https://github.com/hrtavakoli/DAVE
Visual attributes constitute a large portion of information contained in a scene. Objects can be described using a wide variety of attributes which portray their visual appearance (color, texture), geometry (shape, size, posture), and other intrinsic properties (state, action). Existing work is mostly limited to study of attribute prediction in specific domains. In this paper, we introduce a large-scale in-the-wild visual attribute prediction dataset consisting of over 927K attribute annotations for over 260K object instances. Formally, object attribute prediction is a multi-label classification problem where all attributes that apply to an object must be predicted. Our dataset poses significant challenges to existing methods due to large number of attributes, label sparsity, data imbalance, and object occlusion. To this end, we propose several techniques that systematically tackle these challenges, including a base model that utilizes both low- and high-level CNN features with multi-hop attention, reweighting and resampling techniques, a novel negative label expansion scheme, and a novel supervised attribute-aware contrastive learning algorithm. Using these techniques, we achieve near 3.7 mAP and 5.7 overall F1 points improvement over the current state of the art. Further details about the VAW dataset can be found at http://vawdataset.com/.
In audio-visual navigation, an agent intelligently travels through a complex, unmapped 3D environment using both sights and sounds to find a sound source (e.g., a phone ringing in another room). Existing models learn to act at a fixed granularity of agent motion and rely on simple recurrent aggregations of the audio observations. We introduce a reinforcement learning approach to audio-visual navigation with two key novel elements: 1) waypoints that are dynamically set and learned end-to-end within the navigation policy, and 2) an acoustic memory that provides a structured, spatially grounded record of what the agent has heard as it moves. Both new ideas capitalize on the synergy of audio and visual data for revealing the geometry of an unmapped space. We demonstrate our approach on two challenging datasets of real-world 3D scenes, Replica and Matterport3D. Our model improves the state of the art by a substantial margin, and our experiments reveal that learning the links between sights, sounds, and space is essential for audio-visual navigation. Project: http://vision.cs.utexas.edu/projects/audio_visual_waypoints.
Over the past decade, many computational saliency prediction models have been proposed for 2D images and videos. Considering that the human visual system has evolved in a natural 3D environment, it is only natural to want to design visual attention models for 3D content. Existing monocular saliency models are not able to accurately predict the attentive regions when applied to 3D image/video content, as they do not incorporate depth information. This paper explores stereoscopic video saliency prediction by exploiting both low-level attributes such as brightness, color, texture, orientation, motion, and depth, as well as high-level cues such as face, person, vehicle, animal, text, and horizon. Our model starts with a rough segmentation and quantifies several intuitive observations such as the effects of visual discomfort level, depth abruptness, motion acceleration, elements of surprise, size and compactness of the salient regions, and emphasizing only a few salient objects in a scene. A new fovea-based model of spatial distance between the image regions is adopted for considering local and global feature calculations. To efficiently fuse the conspicuity maps generated by our method to one single saliency map that is highly correlated with the eye-fixation data, a random forest based algorithm is utilized. The performance of the proposed saliency model is evaluated against the results of an eye-tracking experiment, which involved 24 subjects and an in-house database of 61 captured stereoscopic videos. Our stereo video database as well as the eye-tracking data are publicly available along with this paper. Experiment results show that the proposed saliency prediction method achieves competitive performance compared to the state-of-the-art approaches.
Saliency prediction for Standard Dynamic Range (SDR) videos has been well explored in the last decade. However, limited studies are available on High Dynamic Range (HDR) Visual Attention Models (VAMs). Considering that the characteristic of HDR content in terms of dynamic range and color gamut is quite different than those of SDR content, it is essential to identify the importance of different saliency attributes of HDR videos for designing a VAM and understand how to combine these features. To this end we propose a learning-based visual saliency fusion method for HDR content (LVBS-HDR) to combine various visual saliency features. In our approach various conspicuity maps are extracted from HDR data, and then for fusing conspicuity maps, a Random Forests algorithm is used to train a model based on the collected data from an eye-tracking experiment. Performance evaluations demonstrate the superiority of the proposed fusion method against other existing fusion methods.
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