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Register a new userAutomatic Generation of Large-scale 3D Road Networks based on GIS Data
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Added by
Yue Wu
Publication date
2021
fields
Informatics Engineering
and research's language is
English
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How to automatically generate a realistic large-scale 3D road network is a key point for immersive and credible traffic simulations. Existing methods cannot automatically generate various kinds of intersections in 3D space based on GIS data. In this paper, we propose a method to generate complex and large-scale 3D road networks automatically with the open source GIS data, including satellite imagery, elevation data and two-dimensional(2D) road center axis data, as input. We first introduce a semantic structure of road network to obtain high-detailed and well-formed networks in a 3D scene. We then generate 2D shapes and topological data of the road network according to the semantic structure and 2D road center axis data. At last, we segment the elevation data and generate the surface of the 3D road network according to the 2D semantic data and satellite imagery data. Results show that our method does well in the generation of various types of intersections and the high-detailed features of roads. The traffic semantic structure, which must be provided in traffic simulation, can also be generated automatically according to our method.
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Caricature is an abstraction of a real person which distorts or exaggerates certain features, but still retains a likeness. While most existing works focus on 3D caricature reconstruction from 2D caricatures or translating 2D photos to 2D caricatures, this paper presents a real-time and automatic algorithm for creating expressive 3D caricatures with caricature style texture map from 2D photos or videos. To solve this challenging ill-posed reconstruction problem and cross-domain translation problem, we first reconstruct the 3D face shape for each frame, and then translate 3D face shape from normal style to caricature style by a novel identity and expression preserving VAE-CycleGAN. Based on a labeling formulation, the caricature texture map is constructed from a set of multi-view caricature images generated by CariGANs. The effectiveness and efficiency of our method are demonstrated by comparison with baseline implementations. The perceptual study shows that the 3D caricatures generated by our method meet peoples expectations of 3D caricature style.
We present a suite of techniques for jointly optimizing triangle meshes and shading models to match the appearance of reference scenes. This capability has a number of uses, including appearance-preserving simplification of extremely complex assets, conversion between rendering systems, and even conversion between geometric scene representations. We follow and extend the classic analysis-by-synthesis family of techniques: enabled by a highly efficient differentiable renderer and modern nonlinear optimization algorithms, our results are driven to minimize the image-space difference to the target scene when rendered in similar viewing and lighting conditions. As the only signals driving the optimization are differences in rendered images, the approach is highly general and versatile: it easily supports many different forward rendering models such as normal mapping, spatially-varying BRDFs, displacement mapping, etc. Supervision through images only is also key to the ability to easily convert between rendering systems and scene representations. We output triangle meshes with textured materials to ensure that the models render efficiently on modern graphics hardware and benefit from, e.g., hardware-accelerated rasterization, ray tracing, and filtered texture lookups. Our system is integrated in a small Python code base, and can be applied at high resolutions and on large models. We describe several use cases, including mesh decimation, level of detail generation, seamless mesh filtering and approximations of aggregate geometry.
We present a user-friendly image editing system that supports a drag-and-drop object insertion (where the user merely drags objects into the image, and the system automatically places them in 3D and relights them appropriately), post-process illumination editing, and depth-of-field manipulation. Underlying our system is a fully automatic technique for recovering a comprehensive 3D scene model (geometry, illumination, diffuse albedo and camera parameters) from a single, low dynamic range photograph. This is made possible by two novel contributions: an illumination inference algorithm that recovers a full lighting model of the scene (including light sources that are not directly visible in the photograph), and a depth estimation algorithm that combines data-driven depth transfer with geometric reasoning about the scene layout. A user study shows that our system produces perceptually convincing results, and achieves the same level of realism as techniques that require significant user interaction.
In order to generate novel 3D shapes with machine learning, one must allow for interpolation. The typical approach for incorporating this creative process is to interpolate in a learned latent space so as to avoid the problem of generating unrealistic instances by exploiting the models learned structure. The process of the interpolation is supposed to form a semantically smooth morphing. While this approach is sound for synthesizing realistic media such as lifelike portraits or new designs for everyday objects, it subjectively fails to directly model the unexpected, unrealistic, or creative. In this work, we present a method for learning how to interpolate point clouds. By encoding prior knowledge about real-world objects, the intermediate forms are both realistic and unlike any existing forms. We show not only how this method can be used to generate creative point clouds, but how the method can also be leveraged to generate 3D models suitable for sculpture.
Automatic modulation classification enables intelligent communications and it is of crucial importance in todays and future wireless communication networks. Although many automatic modulation classification schemes have been proposed, they cannot tackle the intra-class diversity problem caused by the dynamic changes of the wireless communication environment. In order to overcome this problem, inspired by face recognition, a novel automatic modulation classification scheme is proposed by using the multi-scale network in this paper. Moreover, a novel loss function that combines the center loss and the cross entropy loss is exploited to learn both discriminative and separable features in order to further improve the classification performance. Extensive simulation results demonstrate that our proposed automatic modulation classification scheme can achieve better performance than the benchmark schemes in terms of the classification accuracy. The influence of the network parameters and the loss function with the two-stage training strategy on the classification accuracy of our proposed scheme are investigated.
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