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Register a new userSep-Stereo: Visually Guided Stereophonic Audio Generation by Associating Source Separation
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Added by
Hang Zhou
Publication date
2020
fields
Informatics Engineering
and research's language is
English
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Stereophonic audio is an indispensable ingredient to enhance human auditory experience. Recent research has explored the usage of visual information as guidance to generate binaural or ambisonic audio from mono ones with stereo supervision. However, this fully supervised paradigm suffers from an inherent drawback: the recording of stereophonic audio usually requires delicate devices that are expensive for wide accessibility. To overcome this challenge, we propose to leverage the vastly available mono data to facilitate the generation of stereophonic audio. Our key observation is that the task of visually indicated audio separation also maps independent audios to their corresponding visual positions, which shares a similar objective with stereophonic audio generation. We integrate both stereo generation and source separation into a unified framework, Sep-Stereo, by considering source separation as a particular type of audio spatialization. Specifically, a novel associative pyramid network architecture is carefully designed for audio-visual feature fusion. Extensive experiments demonstrate that our framework can improve the stereophonic audio generation results while performing accurate sound separation with a shared backbone.
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Channel is one of the important criterions for digital audio quality. General-ly, stereo audio two channels can provide better perceptual quality than mono audio. To seek illegal commercial benefit, one might convert mono audio to stereo one with fake quality. Identifying of stereo faking audio is still a less-investigated audio forensic issue. In this paper, a stereo faking corpus is first present, which is created by Haas Effect technique. Then the effect of stereo faking on Mel Frequency Cepstral Coefficients (MFCC) is analyzed to find the difference between the real and faked stereo audio. Fi-nally, an effective algorithm for identifying stereo faking audio is proposed, in which 80-dimensional MFCC features and Support Vector Machine (SVM) classifier are adopted. The experimental results on three datasets with five different cut-off frequencies show that the proposed algorithm can ef-fectively detect stereo faking audio and achieve a good robustness.
We introduce the active audio-visual source separation problem, where an agent must move intelligently in order to better isolate the sounds coming from an object of interest in its environment. The agent hears multiple audio sources simultaneously (e.g., a person speaking down the hall in a noisy household) and it must use its eyes and ears to automatically separate out the sounds originating from a target object within a limited time budget. Towards this goal, we introduce a reinforcement learning approach that trains movement policies controlling the agents camera and microphone placement over time, guided by the improvement in predicted audio separation quality. We demonstrate our approach in scenarios motivated by both augmented reality (system is already co-located with the target object) and mobile robotics (agent begins arbitrarily far from the target object). Using state-of-the-art realistic audio-visual simulations in 3D environments, we demonstrate our models ability to find minimal movement sequences with maximal payoff for audio source separation. Project: http://vision.cs.utexas.edu/projects/move2hear.
While significant advancements have been made in the generation of deepfakes using deep learning technologies, its misuse is a well-known issue now. Deepfakes can cause severe security and privacy issues as they can be used to impersonate a persons identity in a video by replacing his/her face with another persons face. Recently, a new problem of generating synthesized human voice of a person is emerging, where AI-based deep learning models can synthesize any persons voice requiring just a few seconds of audio. With the emerging threat of impersonation attacks using deepfake audios and videos, a new generation of deepfake detectors is needed to focus on both video and audio collectively. A large amount of good quality datasets is typically required to capture the real-world scenarios to develop a competent deepfake detector. Existing deepfake datasets either contain deepfake videos or audios, which are racially biased as well. Hence, there is a crucial need for creating a good video as well as an audio deepfake dataset, which can be used to detect audio and video deepfake simultaneously. To fill this gap, we propose a novel Audio-Video Deepfake dataset (FakeAVCeleb) that contains not only deepfake videos but also respective synthesized lip-synced fake audios. We generate this dataset using the current most popular deepfake generation methods. We selected real YouTube videos of celebrities with four racial backgrounds (Caucasian, Black, East Asian, and South Asian) to develop a more realistic multimodal dataset that addresses racial bias and further help develop multimodal deepfake detectors. We performed several experiments using state-of-the-art detection methods to evaluate our deepfake dataset and demonstrate the challenges and usefulness of our multimodal Audio-Video deepfake dataset.
Visual and audio signals often coexist in natural environments, forming audio-visual events (AVEs). Given a video, we aim to localize video segments containing an AVE and identify its category. In order to learn discriminative features for a classifier, it is pivotal to identify the helpful (or positive) audio-visual segment pairs while filtering out the irrelevant ones, regardless whether they are synchronized or not. To this end, we propose a new positive sample propagation (PSP) module to discover and exploit the closely related audio-visual pairs by evaluating the relationship within every possible pair. It can be done by constructing an all-pair similarity map between each audio and visual segment, and only aggregating the features from the pairs with high similarity scores. To encourage the network to extract high correlated features for positive samples, a new audio-visual pair similarity loss is proposed. We also propose a new weighting branch to better exploit the temporal correlations in weakly supervised setting. We perform extensive experiments on the public AVE dataset and achieve new state-of-the-art accuracy in both fully and weakly supervised settings, thus verifying the effectiveness of our method.
In this paper, we introduce a new problem, named audio-visual video parsing, which aims to parse a video into temporal event segments and label them as either audible, visible, or both. Such a problem is essential for a complete understanding of the scene depicted inside a video. To facilitate exploration, we collect a Look, Listen, and Parse (LLP) dataset to investigate audio-visual video parsing in a weakly-supervised manner. This task can be naturally formulated as a Multimodal Multiple Instance Learning (MMIL) problem. Concretely, we propose a novel hybrid attention network to explore unimodal and cross-modal temporal contexts simultaneously. We develop an attentive MMIL pooling method to adaptively explore useful audio and visual content from different temporal extent and modalities. Furthermore, we discover and mitigate modality bias and noisy label issues with an individual-guided learning mechanism and label smoothing technique, respectively. Experimental results show that the challenging audio-visual video parsing can be achieved even with only video-level weak labels. Our proposed framework can effectively leverage unimodal and cross-modal temporal contexts and alleviate modality bias and noisy labels problems.
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