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Register a new userEmotiCon: Context-Aware Multimodal Emotion Recognition using Freges Principle
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Added by
Trisha Mittal
Publication date
2020
fields
Informatics Engineering
and research's language is
English
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We present EmotiCon, a learning-based algorithm for context-aware perceived human emotion recognition from videos and images. Motivated by Freges Context Principle from psychology, our approach combines three interpretations of context for emotion recognition. Our first interpretation is based on using multiple modalities(e.g. faces and gaits) for emotion recognition. For the second interpretation, we gather semantic context from the input image and use a self-attention-based CNN to encode this information. Finally, we use depth maps to model the third interpretation related to socio-dynamic interactions and proximity among agents. We demonstrate the efficiency of our network through experiments on EMOTIC, a benchmark dataset. We report an Average Precision (AP) score of 35.48 across 26 classes, which is an improvement of 7-8 over prior methods. We also introduce a new dataset, GroupWalk, which is a collection of videos captured in multiple real-world settings of people walking. We report an AP of 65.83 across 4 categories on GroupWalk, which is also an improvement over prior methods.
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In our everyday lives and social interactions we often try to perceive the emotional states of people. There has been a lot of research in providing machines with a similar capacity of recognizing emotions. From a computer vision perspective, most of the previous efforts have been focusing in analyzing the facial expressions and, in some cases, also the body pose. Some of these methods work remarkably well in specific settings. However, their performance is limited in natural, unconstrained environments. Psychological studies show that the scene context, in addition to facial expression and body pose, provides important information to our perception of peoples emotions. However, the processing of the context for automatic emotion recognition has not been explored in depth, partly due to the lack of proper data. In this paper we present EMOTIC, a dataset of images of people in a diverse set of natural situations, annotated with their apparent emotion. The EMOTIC dataset combines two different types of emotion representation: (1) a set of 26 discrete categories, and (2) the continuous dimensions Valence, Arousal, and Dominance. We also present a detailed statistical and algorithmic analysis of the dataset along with annotators agreement analysis. Using the EMOTIC dataset we train different CNN models for emotion recognition, combining the information of the bounding box containing the person with the contextual information extracted from the scene. Our results show how scene context provides important information to automatically recognize emotional states and motivate further research in this direction. Dataset and code is open-sourced and available at: https://github.com/rkosti/emotic and link for the peer-reviewed published article: https://ieeexplore.ieee.org/document/8713881
Any spatio-temporal movement or reorientation of the hand, done with the intention of conveying a specific meaning, can be considered as a hand gesture. Inputs to hand gesture recognition systems can be in several forms, such as depth images, monocular RGB, or skeleton joint points. We observe that raw depth images possess low contrasts in the hand regions of interest (ROI). They do not highlight important details to learn, such as finger bending information (whether a finger is overlapping the palm, or another finger). Recently, in deep-learning--based dynamic hand gesture recognition, researchers are tying to fuse different input modalities (e.g. RGB or depth images and hand skeleton joint points) to improve the recognition accuracy. In this paper, we focus on dynamic hand gesture (DHG) recognition using depth quantized image features and hand skeleton joint points. In particular, we explore the effect of using depth-quantized features in Convolutional Neural Network (CNN) and Recurrent Neural Network (RNN) based multi-modal fusion networks. We find that our method improves existing results on the SHREC-DHG-14 dataset. Furthermore, using our method, we show that it is possible to reduce the resolution of the input images by more than four times and still obtain comparable or better accuracy to that of the resolutions used in previous methods.
Automatic affect recognition is a challenging task due to the various modalities emotions can be expressed with. Applications can be found in many domains including multimedia retrieval and human computer interaction. In recent years, deep neural networks have been used with great success in determining emotional states. Inspired by this success, we propose an emotion recognition system using auditory and visual modalities. To capture the emotional content for various styles of speaking, robust features need to be extracted. To this purpose, we utilize a Convolutional Neural Network (CNN) to extract features from the speech, while for the visual modality a deep residual network (ResNet) of 50 layers. In addition to the importance of feature extraction, a machine learning algorithm needs also to be insensitive to outliers while being able to model the context. To tackle this problem, Long Short-Term Memory (LSTM) networks are utilized. The system is then trained in an end-to-end fashion where - by also taking advantage of the correlations of the each of the streams - we manage to significantly outperform the traditional approaches based on auditory and visual handcrafted features for the prediction of spontaneous and natural emotions on the RECOLA database of the AVEC 2016 research challenge on emotion recognition.
Multimodal signals are more powerful than unimodal data for emotion recognition since they can represent emotions more comprehensively. In this paper, we introduce deep canonical correlation analysis (DCCA) to multimodal emotion recognition. The basic idea behind DCCA is to transform each modality separately and coordinate different modalities into a hyperspace by using specified canonical correlation analysis constraints. We evaluate the performance of DCCA on five multimodal datasets: the SEED, SEED-IV, SEED-V, DEAP, and DREAMER datasets. Our experimental results demonstrate that DCCA achieves state-of-the-art recognition accuracy rates on all five datasets: 94.58% on the SEED dataset, 87.45% on the SEED-IV dataset, 84.33% and 85.62% for two binary classification tasks and 88.51% for a four-category classification task on the DEAP dataset, 83.08% on the SEED-V dataset, and 88.99%, 90.57%, and 90.67% for three binary classification tasks on the DREAMER dataset. We also compare the noise robustness of DCCA with that of existing methods when adding various amounts of noise to the SEED-V dataset. The experimental results indicate that DCCA has greater robustness. By visualizing feature distributions with t-SNE and calculating the mutual information between different modalities before and after using DCCA, we find that the features transformed by DCCA from different modalities are more homogeneous and discriminative across emotions.
Despite the recent achievements made in the multi-modal emotion recognition task, two problems still exist and have not been well investigated: 1) the relationship between different emotion categories are not utilized, which leads to sub-optimal performance; and 2) current models fail to cope well with low-resource emotions, especially for unseen emotions. In this paper, we propose a modality-transferable model with emotion embeddings to tackle the aforementioned issues. We use pre-trained word embeddings to represent emotion categories for textual data. Then, two mapping functions are learned to transfer these embeddings into visual and acoustic spaces. For each modality, the model calculates the representation distance between the input sequence and target emotions and makes predictions based on the distances. By doing so, our model can directly adapt to the unseen emotions in any modality since we have their pre-trained embeddings and modality mapping functions. Experiments show that our model achieves state-of-the-art performance on most of the emotion categories. In addition, our model also outperforms existing baselines in the zero-shot and few-shot scenarios for unseen emotions.
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