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Register a new userHarmonics Based Representation in Clarinet Tone Quality Evaluation
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Yixin Wang
Publication date
2020
fields
Informatics Engineering
and research's language is
English
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Music tone quality evaluation is generally performed by experts. It could be subjective and short of consistency and fairness as well as time-consuming. In this paper we present a new method for identifying the clarinet reed quality by evaluating tone quality based on the harmonic structure and energy distribution. We first decouple the quality of reed and clarinet pipe based on the acoustic harmonics, and discover that the reed quality is strongly relevant to the even parts of the harmonics. Then we construct a features set consisting of the even harmonic envelope and the energy distribution of harmonics in spectrum. The annotated clarinet audio data are recorded from 3 levels of performers and the tone quality is classified by machine learning. The results show that our new method for identifying low and medium high tones significantly outperforms previous methods.
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Objective evaluation (OE) is essential to artificial music, but its often very hard to determine the quality of OEs. Hitherto, subjective evaluation (SE) remains reliable and prevailing but suffers inevitable disadvantages that OEs may overcome. Therefore, a meta-evaluation system is necessary for designers to test the effectiveness of OEs. In this paper, we present Armor, a complex and cross-domain benchmark dataset that serves for this purpose. Since OEs should correlate with human judgment, we provide music as test cases for OEs and human judgment scores as touchstones. We also provide two meta-evaluation scenarios and their corresponding testing methods to assess the effectiveness of OEs. To the best of our knowledge, Armor is the first comprehensive and rigorous framework that future works could follow, take example by, and improve upon for the task of evaluating computer-generated music and the field of computational music as a whole. By analyzing different OE methods on our dataset, we observe that there is still a huge gap between SE and OE, meaning that hard-coded algorithms are far from catching humans judgment to the music.
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