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In this paper, we provide a novel dataset designed for camera invariant color constancy research. Camera invariance corresponds to the robustness of an algorithms performance when run on images of the same scene taken by different cameras. Accordingly, images in the database correspond to several lab and field scenes each of which are captured by three different cameras with minimal registration errors. The lab scenes are also captured under five different illuminations. The spectral responses of cameras and the spectral power distributions of the lab light sources are also provided, as they may prove beneficial for training future algorithms to achieve color constancy. For a fair evaluation of future methods, we provide guidelines for supervised methods with indicated training, validation and testing partitions. Accordingly, we evaluate a recently proposed convolutional neural network based color constancy algorithm as a baseline for future research. As a side contribution, this dataset also includes images taken by a mobile camera with color shading corrected and uncorrected results. This allows research on the effect of color shading as well.
In this paper, we describe a new large dataset for illumination estimation. This dataset, called INTEL-TAU, contains 7022 images in total, which makes it the largest available high-resolution dataset for illumination estimation research. The variety of scenes captured using three different camera models, namely Canon 5DSR, Nikon D810, and Sony IMX135, makes the dataset appropriate for evaluating the camera and scene invariance of the different illumination estimation techniques. Privacy masking is done for sensitive information, e.g., faces. Thus, the dataset is coherent with the new General Data Protection Regulation (GDPR). Furthermore, the effect of color shading for mobile images can be evaluated with INTEL-TAU dataset, as both corrected and uncorrecte
We present Cross-Camera Convolutional Color Constancy (C5), a learning-based method, trained on images from multiple cameras, that accurately estimates a scenes illuminant color from raw images captured by a new camera previously unseen during training. C5 is a hypernetwork-like extension of the convolutional color constancy (CCC) approach: C5 learns to generate the weights of a CCC model that is then evaluated on the input image, with the CCC weights dynamically adapted to different input content. Unlike prior cross-camera color constancy models, which are usually designed to be agnostic to the spectral properties of test-set images from unobserved cameras, C5 approaches this problem through the lens of transductive inference: additional unlabeled images are provided as input to the model at test time, which allows the model to calibrate itself to the spectral properties of the test-set camera during inference. C5 achieves state-of-the-art accuracy for cross-camera color constancy on several datasets, is fast to evaluate (~7 and ~90 ms per image on a GPU or CPU, respectively), and requires little memory (~2 MB), and thus is a practical solution to the problem of calibration-free automatic white balance for mobile photography.
In this paper, we propose a novel color constancy approach, called Bag of Color Features (BoCF), building upon Bag-of-Features pooling. The proposed method substantially reduces the number of parameters needed for illumination estimation. At the same time, the proposed method is consistent with the color constancy assumption stating that global spatial information is not relevant for illumination estimation and local information ( edges, etc.) is sufficient. Furthermore, BoCF is consistent with color constancy statistical approaches and can be interpreted as a learning-based generalization of many statistical approaches. To further improve the illumination estimation accuracy, we propose a novel attention mechanism for the BoCF model with two variants based on self-attention. BoCF approach and its variants achieve competitive, compared to the state of the art, results while requiring much fewer parameters on three benchmark datasets: ColorChecker RECommended, INTEL-TUT version 2, and NUS8.
In this paper, we propose a novel unsupervised color constancy method, called Probabilistic Color Constancy (PCC). We define a framework for estimating the illumination of a scene by weighting the contribution of different image regions using a graph-based representation of the image. To estimate the weight of each (super-)pixel, we rely on two assumptions: (Super-)pixels with similar colors contribute similarly and darker (super-)pixels contribute less. The resulting system has one global optimum solution. The proposed method achieves competitive performance, compared to the state-of-the-art, on INTEL-TAU dataset.
Temporal Color Constancy (CC) is a recently proposed approach that challenges the conventional single-frame color constancy. The conventional approach is to use a single frame - shot frame - to estimate the scene illumination color. In temporal CC, multiple frames from the view finder sequence are used to estimate the color. However, there are no realistic large scale temporal color constancy datasets for method evaluation. In this work, a new temporal CC benchmark is introduced. The benchmark comprises of (1) 600 real-world sequences recorded with a high-resolution mobile phone camera, (2) a fixed train-test split which ensures consistent evaluation, and (3) a baseline method which achieves high accuracy in the new benchmark and the dataset used in previous works. Results for more than 20 well-known color constancy methods including the recent state-of-the-arts are reported in our experiments.