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In this paper, a Blind Source Separation (BSS) algorithm for multichannel audio contents is proposed. Unlike common BSS algorithms targeting stereo audio contents or microphone array signals, our technique is targeted at multichannel audio such as 5.1 and 7.1ch audio. Since most multichannel audio object sources are panned using the Inter-channel Loudness Difference (ILD), we employ the ILVS (Inter-channel Loudness Vector Sum) concept to cluster common signals (such as background music) from each channel. After separating the common signals from each channel, we employ an Expectation Maximization (EM) algorithm with a von-Mises distribution to successfully classify the clustering of sound source objects and separate the audio signals from the original mixture. Our proposed method can therefore separate common audio signals and object source signals from multiple channels with reasonable quality. Our multichannel audio content separation technique can be applied to an upmix system or a cinema audio system requiring multichannel audio source separation.
In recent years, music source separation has been one of the most intensively studied research areas in music information retrieval. Improvements in deep learning lead to a big progress in music source separation performance. However, most of the pre
Independent deeply learned matrix analysis (IDLMA) is one of the state-of-the-art supervised multichannel audio source separation methods. It blindly estimates the demixing filters on the basis of source independence, using the source model estimated
Independent deeply learned matrix analysis (IDLMA) is one of the state-of-the-art multichannel audio source separation methods using the source power estimation based on deep neural networks (DNNs). The DNN-based power estimation works well for sound
This paper presents a computationally efficient approach to blind source separation (BSS) of audio signals, applicable even when there are more sources than microphones (i.e., the underdetermined case). When there are as many sources as microphones (
We consider the problem of estimating the phases of K mixed complex signals from a multichannel observation, when the mixing matrix and signal magnitudes are known. This problem can be cast as a non-convex quadratically constrained quadratic program