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Kirigami, art of paper cutting, enables two-dimensional sheets transforming into unique shapes which are also hard to reshape once with prescribed cutting patterns. Rare kirigami designs manipulate cuts on three-dimensional objects to compose periodic structures with programmability and/or re-programmability. Here, we propose a new class of three-dimensional modular kirigami by introducing cuts on cuboid-shaped objects, based on which constructing two quasi-three-15 dimensional architected kirigamis with even-flat structural form. We demonstrate the proposed architected kirigamis are with rich mobilities triggered by kinematic bifurcations inherited from their composed modular kirigami, and can undergo living-matter-like metamorphosis evolving into miscellaneous transformable three-dimensional architectures and even a pluripotent platform capable of being re-programmed into curvature different surfaces through inverse design. Such 20 metamorphic structures could find broad applications in reconfigurable metamaterials, transformable robots and architectures.
Metamaterials achieve unprecedented properties from designed architected structures. However, they are often constructed from a single repeating building block that exhibits monotonic shape changes with single degree of freedom, thereby leading to sp
Traditional origami structures can be continuously deformed back to a flat sheet of paper, while traditional kirigami requires glue or seams in order to maintain its rigidity. In the former, non-trivial geometry can be created through overfolding pap
Graphene kirigami (patterned cuts) can be an effective way to improve some of the graphene mechanical and electronic properties. In this work, we report the first study of the mechanical and ballistic behavior of single and multilayered graphene pyra
Architected materials produced by powder bed fusion metal additive manufacturing technique offer realization of complex structural hierarchies that mimic the principles of crystal plasticity while still being ultralight-weight, though suffering from
Kirigami, the art of introducing cuts in thin sheets to enable articulation and deployment, has till recently been the domain of artists. With the realization that these structures form a novel class of mechanical metamaterials, there is increasing i