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We introduce a neural network-based method to denoise pairs of images taken in quick succession, with and without a flash, in low-light environments. Our goal is to produce a high-quality rendering of the scene that preserves the color and mood from the ambient illumination of the noisy no-flash image, while recovering surface texture and detail revealed by the flash. Our network outputs a gain map and a field of kernels, the latter obtained by linearly mixing elements of a per-image low-rank kernel basis. We first apply the kernel field to the no-flash image, and then multiply the result with the gain map to create the final output. We show our network effectively learns to produce high-quality images by combining a smoothed out estimate of the scenes ambient appearance from the no-flash image, with high-frequency albedo details extracted from the flash input. Our experiments show significant improvements over alternative captures without a flash, and baseline denoisers that use flash no-flash pairs. In particular, our method produces images that are both noise-free and contain accurate ambient colors without the sharp shadows or strong specular highlights visible in the flash image.
In this work, we present a camera configuration for acquiring stereoscopic dark flash images: a simultaneous stereo pair in which one camera is a conventional RGB sensor, but the other camera is sensitive to near-infrared and near-ultraviolet instead
Vehicles, search and rescue personnel, and endoscopes use flash lights to locate, identify, and view objects in their surroundings. Here we show the first steps of how all these tasks can be done around corners with consumer cameras. Recent technique
Real-world lighting often consists of multiple illuminants with different spectra. Separating and manipulating these illuminants in post-process is a challenging problem that requires either significant manual input or calibrated scene geometry and l
Previous image based relighting methods require capturing multiple images to acquire high frequency lighting effect under different lighting conditions, which needs nontrivial effort and may be unrealistic in certain practical use scenarios. While su
Taking photographs in low light using a mobile phone is challenging and rarely produces pleasing results. Aside from the physical limits imposed by read noise and photon shot noise, these cameras are typically handheld, have small apertures and senso