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Supervised music representation learning has been performed mainly using semantic labels such as music genres. However, annotating music with semantic labels requires time and cost. In this work, we investigate the use of factual metadata such as artist, album, and track information, which are naturally annotated to songs, for supervised music representation learning. The results show that each of the metadata has individual concept characteristics, and using them jointly improves overall performance.
This paper describes computational methods for the visual display and analysis of music information. We provide a concise description of software, music descriptors and data visualization techniques commonly used in music information retrieval. Final
Musical preferences have been considered a mirror of the self. In this age of Big Data, online music streaming services allow us to capture ecologically valid music listening behavior and provide a rich source of information to identify several user-
Music generation is always interesting in a sense that there is no formalized recipe. In this work, we propose a novel dual-track architecture for generating classical piano music, which is able to model the inter-dependency of left-hand and right-ha
Modeling of music audio semantics has been previously tackled through learning of mappings from audio data to high-level tags or latent unsupervised spaces. The resulting semantic spaces are theoretically limited, either because the chosen high-level
We introduce a novel playlist generation algorithm that focuses on the quality of transitions using a recurrent neural network (RNN). The proposed model assumes that optimal transitions between tracks can be modelled and predicted by internal transit