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Using Gaia DR2 astrometry, we map the kinematic signature of the Galactic stellar warp out to a distance of 7 kpc from the Sun. Combining Gaia DR2 and 2MASS photometry, we identify, via a probabilistic approach, 599 494 upper main sequence stars and 12 616 068 giants without the need for individual extinction estimates. The spatial distribution of the upper main sequence stars clearly shows segments of the nearest spiral arms. The large-scale kinematics of both the upper main sequence and giant populations show a clear signature of the warp of the Milky Way, apparent as a gradient of 5-6 km/s in the vertical velocities from 8 to 14 kpc in Galactic radius. The presence of the signal in both samples, which have different typical ages, suggests that the warp is a gravitationally induced phenomenon.
There are few warp kinematic models of the Galaxy able to characterise structure and kinematics. These models are necessary to study the lopsidedness of the warp and the twisting of the line-of-nodes of the stellar warp, already seen in gas and dust.
Line-of-sight kinematic studies indicate that many Galactic globular clusters have a significant degree of internal rotation. However, three-dimensional kinematics from a combination of proper motions and line-of-sight velocities are needed to unveil
Using the astrometry and integrated photometry from the Gaia Early Data Release 3 (EDR3), we map the density variations in the distribution of young Upper Main Sequence (UMS) stars, open clusters and classical Cepheids in the Galactic disk within sev
We use Gaia DR2 astrometric and line-of-sight velocity information combined with two sets of distances obtained with a Bayesian inference method to study the 3D velocity distribution in the Milky Way disc. We search for variations in all Galactocentr
We analyze the kinematics and spatial distribution of 15,599 fundamental-mode RR Lyrae (RRL) stars in the Milky Way bulge by combining OGLE-IV photometric data and Gaia DR2 proper motions. We show that the longitudinal proper motions and the line-of-