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تسجيل مستخدم جديدDrive for Creativity
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We advance a hypothesis that creativity has evolved with evolution of internal representations, possibly from amniotes to primates, and further in human cultural evolution. Representations separated sensing from acting and gave internal room for creativity. To see (or perform any sensing), creatures with internal representations had to modify these representations to fit sensor signals. Therefore the knowledge instinct, KI, the drive to fit representations to the world, had to evolve along with internal representations. Until primates, it remained simple, without language internal representations could not evolve from perceptions to abstract representations, and abstract thoughts were not possible. We consider creative vs. non-creative decision making, and compare KI with Kahneman-Tverskys heuristic thinking. We identify higher, conscious levels of KI with the drive for creativity (DC) and discuss the roles of language and music, brain mechanisms involved, and experimental directions for testing the advanced hypotheses.
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Creativity is perhaps what most differentiates humans from other species. It involves the capacity to shift between divergent and convergent modes of thought in response to task demands. Divergent thought has been characterized as the kind of thinkin
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As both our external world and inner worlds become more complex, we are faced with more novel challenges, hardships, and duress. Creative thinking is needed to provide fresh perspectives and solve new problems.Because creativity can be conducive to a
ccessing and reliving traumatic memories, emotional scars may be exacerbated by creative practices before these are transformed and released. Therefore, in preparing our youth to thrive in an increasingly unpredictable world, it could be helpful to cultivate in them an understanding of the creative process and its relationship to hardship, as well as tools and techniques for fostering not just creativity but self-awareness and mindfulness. This chapter is a review of theories of creativity through the lens of their capacity to account for the relationship between creativity and hardship, as well as the therapeutic effects of creativity. We also review theories and research on aspects of mindfulness attending to potential therapeutic effects of creativity. Drawing upon the creativity and mindfulness literatures, we sketch out what an introductory creativity and mindfulness module might look like as part of an educational curriculum designed to address the unique challenges of the 21st Century.
It is proposed that both human creativity and human consciousness are (unintended) consequences of the human brains extraordinary energy efficiency. The topics of creativity and consciousness are treated separately, though have a common sub-structure
. It is argued that creativity arises from a synergy between two cognitive modes of the human brain (which broadly coincide with Kahnemans Systems 1 and 2). In the first, available energy is spread across a relatively large network of neurons. As such, the amount of energy per active neuron is so small that the operation of such neurons is susceptible to thermal (ultimately quantum decoherent) noise. In the second, available energy is focussed on a small enough subset of neurons to guarantee a deterministic operation. An illustration of how this synergy can lead to creativity with implications for computing in silicon are discussed. Starting with a discussion of the concept of free will, the notion of consciousness is defined in terms of an awareness of what are perceived to be nearby counterfactual worlds in state space. It is argued that such awareness arises from an interplay between our memories on the one hand, and quantum physical mechanisms (where, unlike in classical physics, nearby counterfactual worlds play an indispensable dynamical role) in the ion channels of neural networks. As with the brains susceptibility to noise, it is argued that in situations where quantum physics plays a role in the brain, it does so for reasons of energy efficiency. As an illustration of this definition of consciousness, a novel proposal is outlined as to why quantum entanglement appears so counter-intuitive.
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